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" "Now that I was awakening to the realities of the economic struggle, I realized that I could no longer conscientiously deal with certain subjects in the way that editors wanted them handled. I had ideas for pictorial attacks on institutions hooked up with the money power, but there was no sale for these. The few papers which dared strike at the system were small, and had no money to pay for my product. And I had to live and support a family.
Arthur Henry Young (January 14, 1866 – December 29, 1943) was an American political cartoonist.
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I was in deadly earnest about developing my talent, and carousing had no lure for me. I applied myself assiduously to the work in hand, and as I proceeded I became more and more convinced that graphic art was my road to recognition. Painting interested me no less, but I thought of it as having no influence. If one painted a portrait, or a landscape, or whatever, for a rich man to own in his private gallery, what was the use? On the other hand, a cartoon could be reproduced by simple mechanical processes and easily made accessible to hundreds of thousands. I wanted a large audience. . . The prevailing art of that period embraced a thorough, almost photographic, lens-like observance of detail. Gerome, Messonier, Cabanel, Vibert, and Bougeaureau were in the forefront of the artworld then, because they were accurate, precise draftsmen. (Chapter 1. Sunlight and Shadow in Paris)