Krsna tvac as a metaphor for darkness in the RV yet is no abstract idea, but in the minds of Rgvedic man a real part of the world, of the cosmologica… - Maria Schetelich

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Krsna tvac as a metaphor for darkness in the RV yet is no abstract idea, but in the minds of Rgvedic man a real part of the world, of the cosmological scheme. The poets describe it eventually as a cloth a cover which could spread over the earth. Darkness is related to the ‘depth’, the lowest region of the trinominal concept of the world-structure, being at the same time the home of the waters. Two verses give a vivid picture of this. In RV 4. 13. 4 the poet adresses Surya who drove away the nig'ht ...Definitely the verse means the night, the “black cloth” lying over the earth, not the symbolical darkness. But in the minds of the poets the bounds between real and symbolic darkness were fluent, as RV 4. 17. 14 — 15 suggests... If at the three above cited passages krsna tvac is translated with ‘dark cloth, dark cover’ but not with ‘dark skin’ in the sense of ‘dark complexion’ it fits better into the habits of thinking of the Rgvedic poets, than the rather trivial translation current up till now. Assumedly the Rgvedic hymns are mythological poetry not in the first line depicting real events but out of these events creating myths — myths as models for reality. The fight against enemies dominating the life of the Aryan immigrants, this theme presented itself to be an excellent (and necessary) subject for mythologization.

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About Maria Schetelich

Maria Schetelich (born in 1938) is a German Indologist.

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This spreading of light is a frequent motif in Rgvedic hymns. The motif is worked out by the poets on two different levels, the human, and the super-human. On the human level it is the succour Indra lends to his adorants (the drya or dryavarm) in their combats against the non-vedic dasa-or dasyu tribes. On the super- human level, Indra’s (and the Aryan’s adversaries are evil-doing, demonical beings like Susna, Pipru, Vrtra, Vala, Sambara or the above-mentioned Arsasana. They also are called dasa or dasyu, their symbol is darkness, night, the depth, the lowest region of the world.

One does more justice to the way of thinking of the poets of the Rgveda and the nature of this text if one places the term krsnä tvac in RV 1.130.8 in the context of the ideas of the "skin" or the "black skin" that are common elsewhere and thus assigns it to the vocabulary of Rgvedic mythology, especially since the equation of the Dasyu and Dasa with the non-Aryan population of northwest India can be doubted with good reason.

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And so a gap is definitely apparent: there is a lack of a scientific history of the term “Aryan” that would illuminate the entire breadth of meaning that the term has been given since its inception, and it is the classical Indologists familiar with the field of research who are in demand here.

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