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" "I find myself gravitating towards what I call ‘bubble-gum books’. Nothing heavy, nothing super intellectual. Nothing that won a prize, or was, you know, shortlisted for some prestigious award. I want like the smarmy historical romances.
Ayobola Kekere-Ekun (born 1993) is a Nigerian contemporary visual artist. Kekere-Ekun finished a degree in Graphic Design at the University of Lagos (UNILAG), Akoka in 2009 and also received her Master's Degree in the same field in 2016. She is the Assistant Lecturer in the Department of Creative Arts at the University of Lagos. As of 2022, Kekere-Ekun was finishing her Ph.D., which started in 2018, in Art and Design at the University of Johannesburg, South Africa.
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I think of my career as an open world video game with a hint of chess. If you were to strip it down to its absolute core, it really is a series of validations. The quality and nature of validation you want/need depends on what arena of the art world you're interested in playing in. But it's the kind of space where you just need a few yeses. Just a couple of yeses. The hard part is getting them in the first place. When you have the right yeses, you'll be fine. It's like needing someone to jumpstart your car.
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When lockdown hit I just moved everything into my old flat because I didn't know how long lockdown was going to be, so it just made sense to have everything close by. I loved it. I loved having my work where I live and just being able to work anytime I wanted. There's an intimacy to living with your work. It’s one of the first and last things you see every single day and I love that. It also like reminded me of the early days of my practice when I literally just worked out of my bedroom. I think for now I'm gonna keep working out of my flat. I will probably go back to a more traditional studio situation at some point but for now, I think I'm gonna stick with this.