I believe that maturity is not an outgrowing, but a growing up: that an adult is not a dead child, but a child who survived. I believe that all the b… - Ursula K. Le Guin

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I believe that maturity is not an outgrowing, but a growing up: that an adult is not a dead child, but a child who survived. I believe that all the best faculties of a mature human being exist in the child. . . . that one of the most deeply human, and humane, of these faculties is the power of imagination.

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About Ursula K. Le Guin

Ursula K. Le Guin (21 October 1929 – 22 January 2018) was an American writer, known mostly for her work in science fiction and fantasy. She received the Hugo Award, Nebula Award, Locus Award, and World Fantasy Award, and was made a Grandmaster of Science Fiction in 2003.

Biography information from Wikiquote

Also Known As

Birth Name: Ursula Kroeber
Alternative Names: Ursula Kroeber Le Guin Ursula Le Guin
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Additional quotes by Ursula K. Le Guin

The Earth is beautiful, and bright, and kindly, but that is not all. The Earth is also terrible, and dark, and cruel. The rabbit shrieks dying in the green meadows. The mountains clench their great hands full of hidden fire. There are sharks in the sea, and there is cruelty in men’s eyes.

I believe that maturity is not an outgrowing, but a growing up: that an adult is not a dead child, but a child who survived. I believe that all the best faculties of a mature human being exist in the child, and that if these faculties are encouraged in youth they will act well and wisely in the adult, but that if they are repressed and denied in the child they will stunt and cripple the adult personality. And finally, I believe that one of the most deeply human, and humane, of these faculties is the power of imagination: so that it is our pleasant duty ... to encourage that faculty of imagination in our children, to encourage it to grow freely, to flourish like the green bay tree, by giving it the best, absolutely the best and purest, nourishment that it can absorb. And never under any circumstances, to squelch it, or sneer at it, or imply that it is childish, or unmanly, or untrue.

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Jungians such as Joseph Campbell have generalised such journeys into a set of archetypal events and images. Though they can be useful in criticism, I mistrust them as fatally reductive. “Ah, the Night Sea Voyage!” we cry, feeling that we have understood something important — but we’ve merely recognised it. Until we are actually on that voyage, we have understood nothing.

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