Guy suddenly wanted to scald his face, gain fifty pounds, shear his hair. He was sick of his beauty, his “eternal” beauty. People thought he was pure… - Edmund White

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Guy suddenly wanted to scald his face, gain fifty pounds, shear his hair. He was sick of his beauty, his “eternal” beauty. People thought he was purer, more intelligent, kinder, nobler than he was because they ascribed all these virtues to him. What if he were stripped of his looks, if he stabbed the grotesque painting in the attic? If they saw him for what he really was – empty-headed, vicieux (how did you translate that? “Riddled with vices?”), narcisse? Used to being indulged and pursued, terrified he’d outlive his fatal appeal and yet longing to be free of it?

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About Edmund White

Edmund White (born January 13, 1940) is an American novelist, memoirist, and an essayist on literary and social topics. Much of his writing is on the theme of same-sex love. Probably his best-known books are The Joy of Gay Sex (1977) (written with Charles Silverstein) and his trio of autobiographic novels, A Boy's Own Story (1982), The Beautiful Room Is Empty (1988) and The Farewell Symphony (1997).

Biography information from Wikiquote

Also Known As

Alternative Names: Edmund Valentine White III
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The novel is alive and thriving through various strategies of renovation. The merging of fiction and reality, of memoir and narrative, is one great current source of strength. The reimagining of the historical novel is a second. And the third is the admission of new voices previously unheard or slienced.

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