So far as feelings were concerned, there was no discrepancy between the very finest feeling in this world and the very worst; that their effect was t… - Yukio Mishima

On a warm spring day, a galloping horse was only too clearly a sweating animal of flesh and blood. But a horse racing through a snowstorm became one with the very elements; wrapped in the whirling blast of the north wind, the beast embodied the icy breath of winter.

To be strong and true had been the most important task he had set himself since early childhood.
Once, as a boy, he had tried to outstare the sun. But before he could tell whether he had really looked at it or not, changes had occurred: the blazing red ball that had been there at first began to whirl, then suddenly dimmed, till it became a cold, bluish-black, flattened disk of iron. He felt he had seen the very essence of the sun....
For a while, wherever he looked he saw the sun's pale afterimage: in the undergrowth; in the shade beneath the trees; even, when he gazed up, in every part of the sky.
The truth was something too dazzling to be looked at directly. And yet, once it had come into one's field of vision, one saw patches of light in all kinds of places: the afterimages of virtue.

I had formed the habit of treating those parts of my character that were in any way my responsibility to exhortations so wholesome and sensible as to be comical. As a part of my system of self-discipline, dating from childhood, I constantly told myself it would be better to die than become a lukewarm person, an unmanly person, a person who does not clearly know his likes and dislikes, a person who wants only to be loved without knowing how to love. This exhortation of course had a possible applicability to the parts of my character for which I was to blame, but so far as the other parts were concerned, the parts for which I was not to blame, it was an impossible requirement from the beginning.