In the Napoleonic Museum in Arenenberg I was rather impressed just how richly clad in the costume of Antiquity the First Empire in fact was - dressed… - Ida Friederike Görres

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In the Napoleonic Museum in Arenenberg I was rather impressed just how richly clad in the costume of Antiquity the First Empire in fact was - dressed up even comically with its laurels and eagles and togas. Return to Rome wherever you look, though of course not to the Holy Roman Empire - to Caesar's Rome. But the French Revolution itself had fallen back on more or less genuine or imaginary classical models: Brutus and Tiberius Gracchus and Gaius Gracchus, the Gracchi, consuls and Roman virtues - even these revolutionaries couldn't resolve to start from scratch with something really new.

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About Ida Friederike Görres

Ida Friederike Görres (born Elisabeth Friederike, Reichsgräfin Coudenhove-Kalergi; 2 December 1901, in Schloss Ronsperg, Bohemia – 15 May 1971, in Frankfurt am Main) was a Catholic writer. From the Coudenhove-Kalergi family, she was the daughter, one of seven children, of Count Heinrich von Coudenhove-Kalergi and his Japanese wife Mitsuko Aoyama.

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Additional quotes by Ida Friederike Görres

A happy childhood means - or ought to mean - that one's first experience of the world is a true experience - not yet comprehensive, of course, yet comprehending the prime reality, so that it becomes an experience of an essential order which thenceforward will serve as a basis of comparison, in whose light all future falsification, all disorder, will be recognised as wrong and invalid. A happy childhood means above all a loved child. Because Thérèse was a happy child, her beginnings could contain perfection. Because she was a loved child, she received from the beginning the knowledge that others must struggle towards so consciously, with such difficulty, by painfully strenuous detours: the simple truth that to so many of us seems the most incredible and amazing lesson of religion: that we can be loved without having deserved it: that grace comes first..It is bliss simply to be someone's child, a child of a father, of a mother, living, moving and having its being in a love which is unmerited, unmeritable , anticipatory, unconditional and immutable. On this basic mystery and reality Thérèse's childhood was built. This was the source of her subsequent doctrine of the way of spiritual childhood.

one's twentieth birthday. That day opened the door to a wider life: I reached out to grasp reality. But in fact it was reality which gripped me with its restrictions and constraints and rules which arrogantly claim to be the laws of life, of the universe. To be grown-up really meant resignation; one gave in (if ruefully), laughing a little at one's young dreams.

I'm reading Günther Anders' Die Antiquiertheit des Menschen (The Antiquity of Man)..That bit about Promethean shame impressed me..observations about the shame of being oneself, the reluctance at stepping out of line, of being forward, of being looked at. This is entirely true to life...Yet it's just as natural to man to want to be seen, to want to be outstanding, to be regarded, as to want to hide - and both these instincts - for that's what they are - clash, often with equal force...How clearly I see the Little Flower in this light: from earliest days the focal point for her whole family, yet on the other hand sincerely desiring to be hidden, taking the veil - and so wonderfully unveiled to posterity, revealed to the world, set up as an image, i.e. to be looked at!

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