The elephant in this big room, obviously, is context. In America, the twenty-first century began with the contested election of 2000, followed shortl… - Jerry Saltz

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The elephant in this big room, obviously, is context. In America, the twenty-first century began with the contested election of 2000, followed shortly thereafter by the terrorist attacks of September 11, 2001. From there came the wars in Iraq and Afghanistan, the financial collapse of 2008, the lightning-rod election of the first black president, the rise of antidemocratic authoritarianism at the hands of his successor, and finally a second contested election and a worldwide pandemic that saw the death of one million Americans. All of which is to say: None of the art made in this period happened under “normal” conditions.

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About Jerry Saltz

Jerry Saltz (born 19 March 1951) is an American art critic. Since 2006, he has been senior art critic and columnist for New York magazine.

Biography information from Wikiquote

Also Known As

Alternative Names: Jerome Saltz Jerry Salta

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After 1909, Monet drastically enlarged his brushstrokes, disintegrated his images, and broke through the taming constraints and delicacy of Impressionism for good. Nineteen gnarly paintings, starting in 1909 and carrying through his final seventeen years, finish off the notion that Monet went happily ever after into lily-land.

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