The elephant in this big room, obviously, is context. In America, the twenty-first century began with the contested election of 2000, followed shortl… - Jerry Saltz

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The elephant in this big room, obviously, is context. In America, the twenty-first century began with the contested election of 2000, followed shortly thereafter by the terrorist attacks of September 11, 2001. From there came the wars in Iraq and Afghanistan, the financial collapse of 2008, the lightning-rod election of the first black president, the rise of antidemocratic authoritarianism at the hands of his successor, and finally a second contested election and a worldwide pandemic that saw the death of one million Americans. All of which is to say: None of the art made in this period happened under “normal” conditions.

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About Jerry Saltz

Jerry Saltz (born 19 March 1951) is an American art critic. Since 2006, he has been senior art critic and columnist for New York magazine.

Biography information from Wikiquote

Also Known As

Alternative Names: Jerome Saltz Jerry Salta
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At the same time, art cannot be understood in terms of purpose. As the sculptor Charles Ray has said, art is “for absolutely nothing.” To make, or experience, art is to enter a kind of free zone; it slows us down, places us in some epistemological estuary, takes us into the wild. We make art from our flaws, fragilities, perversities, from our need to communicate or be entertained or stave off death, to create our own mating dances, to deliver our own children, to mourn. Art is bigger than mere subject matter. It is as big as life.

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