After 1909, Monet drastically enlarged his brushstrokes, disintegrated his images, and broke through the taming constraints and delicacy of Impressio… - Jerry Saltz

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After 1909, Monet drastically enlarged his brushstrokes, disintegrated his images, and broke through the taming constraints and delicacy of Impressionism for good. Nineteen gnarly paintings, starting in 1909 and carrying through his final seventeen years, finish off the notion that Monet went happily ever after into lily-land.

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About Jerry Saltz

Jerry Saltz (born 19 March 1951) is an American art critic. Since 2006, he has been senior art critic and columnist for New York magazine.

Biography information from Wikiquote

Also Known As

Alternative Names: Jerome Saltz Jerry Salta
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You can't prove Rembrandt is better than Norman Rockwell - although if you actually do prefer Rockwell, I'd say you were shunning complexity, were secretly conservative, and hadn't really looked at either painter's work. Taste is a blood sport.

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