One day Samuel strained his back lifting a bale of hay, and it hurt his feelings more than his back, for he could not imagine a life in which Sam Ham… - John Steinbeck

A harmonica is easy to carry. Take it out of your hip pocket, knock it against your palm to shake out the dirt and pocket fuzz and bits of tobacco. Now it’s ready. You can do anything with a harmonica: thin reedy single tone, or chords or melody with rhythm chords. You can mold the music with curved hands, making it wail and cry like bagpipes, making it full and rounds like an organ, making it as sharp and bitter as the reed pipes of the hills. And you can play it and put it back in your pocket. It is always with you, always in your pocket. And as you play, you learn new tricks, to pinch the tone with your lips, and no one teaches you. You feel around — sometimes in the tent door after supper when the women are washing up. Your foot taps gently on the ground. Your foot taps gently on the ground. Your eyebrows rise and fall in rhythm. And if you lose it or break it, why, it’s no great loss. You can buy another for a quarter.

Nearly everyone has his box of secret pain, shared with no one. Will had concealed his well, laughed loud, exploited perverse virtues, and never let his jealousy go wandering. He thought of himself as slow, doltish, conservative, uninspired. No great dream lifted him high and no despair forced self destruction. He was always on the edge, trying to hold on to the rim of the family with what gifts he had — care, and reason, application. He kept the books, hired the attorneys, called the
undertaker, and eventually paid the bills. The others didn’t even know they needed him. He had the
ability to get money and to keep it. He thought the Hamiltons despised him for his one ability. He had
loved them doggedly, had always been at hand with his money to pull them out of their errors. He thought they were ashamed of him, and he fought bitterly for their recognition. All of this was in the frozen wind that blew through him.

"Crooks stood up from his bunk and faced her. "I had enough," he said coldly. "You got no rights comin' in a colored man's room. You got no rights messing around in here at all. Now you jus' get out, an' get out quick. If you don't, I'm gonna ast the boss not to ever let you come in the barn no more."
She turned on him in scorn. "Listen, Nigger," she said. "You know what I can do to you if you open your trap?"
Crooks stared helplessly at her, and then he sat down on his bunk and drew into himself.
She closed on him. "You know what I could do?"
Crooks seemed to grow smaller, and he pressed himself against the wall. "Yes, ma'am."
"Well, you keep your place then, Nigger. I could get you strung up on a tree so easy it ain't even funny."
Crooks had reduced himself to nothing. There was no personality, no ego — nothing to arouse either like or dislike. He said, "Yes, ma'am," and his voice was toneless.
For a moment she stood over him as though waiting for him to move so that she could whip at him again; but Crooks sat perfectly still, his eyes averted, everything that might be hurt drawn in. She turned at last to the other two."