The bride was young and beautiful, the bridegroom stern and old,— But the silken rein was hung with pearls, the housings bright with gold. - Letitia Elizabeth Landon

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The bride was young and beautiful, the bridegroom stern and old,—
But the silken rein was hung with pearls, the housings bright with gold.

English
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About Letitia Elizabeth Landon

Letitia Elizabeth Landon (August 14, 1802 – October 15, 1838) was an English poet and novelist, better known by her initials L. E. L. She was one of the richest sources of epigrams in the early nineteenth century and one reviewer compared her to Rochefoucauld. Sometimes she adopts an adversarial role, giving contradictory viewpoints. Some of her thoughts recur, either developed or refined, but over time she also threw out differing opinions on some subjects; changeability, she argues, is one of our principal traits and, as she has one character remark, truth is like the philosopher's stone, a thing not to be discovered.

Also Known As

Native Name: Letitia Landon
Alternative Names: L. E. L. Letitia Maclean Letitia Elizabeth Maclean Landon
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Few are the beliefs, still fewer the superstitions of to-day. We pretend to account for everything, till we do not believe enough for that humility so essential to moral discipline. But the dark creed of the fatalist still holds its ground — there is that within us, which dares not deny what, in the still depths of the soul, we feel to have a mysterious predominance. To a certain degree we controul our own actions — we have the choice of right or wrong ; but the consequences, the fearful consequences, lie not with us. Let any one look upon the most important epochs of his life ; how little have they been of his own making — how one slight thing has led on to another, till the result has been the very reverse of our calculations. Our emotions, how little are they under our own controul ! how often has the blanched lip, or the flushed cheek, betrayed what the will was strong to conceal ! Of all our sensations, love is the one which has most the stamp of Fate. What a mere chance usually leads to our meeting the person destined to alter the whole current of our life. What a mystery even to ourselves the influence which they exercise over us. Why should we feel so differently towards them, to what we ever felt before ? An attachment is an epoch in existence — it leads to casting off old ties, that, till then, had seemed our dearest ; it begins new duties ; often, in a woman especially, changes the whole character ; and yet, whether in its beginning, its continuance or its end, love is as little within our power as the wind that passes, of which no man knows whither it goeth or whence it comes.

The day is past, and the moonbeams weep
O'er the many that rest in their last cold sleep;
Near to the gashed and the nerveless hand
Is the pointless spear and the broken brand;
The archer lies like an arrow spent,
His shafts all loose and his bow unbent;
Many a white plume torn and red,
Bright curls rent from the graceful head,
Helmet and breast-plate scattered around,
Lie a fearful show on the well-fought ground;
While the crow and the raven flock overhead
To feed on the hearts of the helpless dead,
Save when scared by the glaring eye
Of some wretch in his last death agony.

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I held that Love
Which chooseth from a thousand only one,
To be the object of that tenderness
Natural to every heart; which can resign
Its own best happiness for one dear sake;
Can bear with absence; hath no part in Hope,—
For Hope is somewhat selfish, Love is not,—
And doth prefer another to itself.

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