And meanwhile time goes about its immemorial work of making everyone look and feel like shit. You got that? And meanwhile time goes about its immemor… - Martin Amis

" "

And meanwhile time goes about its immemorial work of making everyone look and feel like shit. You got that? And meanwhile time goes about its immemorial work of making everyone look, and feel, like shit.

English
Collect this quote

About Martin Amis

Sir Martin Louis Amis (25 August 1949 – 19 May 2023) was a British novelist, essayist and short story writer. He was the son of Kingsley Amis.

Biography information from Wikiquote

Also Known As

Alternative Names: Martin Louis Amis Sir Martin Louis Amis
PREMIUM FEATURE

Advanced Search Filters

Filter search results by source, date, and more with our premium search tools.

Related quotes. More quotes will automatically load as you scroll down, or you can use the load more buttons.

Shorter versions of this quote

Additional quotes by Martin Amis

It’s all strange to me. I know I live on a fierce and magical planet, which sheds or surrenders rain or even flings it off in whipstroke after whipstroke, which fires out bolts of electric gold into the firmament at 186,000 miles per second, which with a single shrug of its tectonic plates can erect a city in half an hour. Creation … is easy, is quick. There’s also a universe, apparently. But I cannot bear to see the stars, even though I know they’re there all right, and I do see them, because Tod looks upward at night, as everybody does, and coos and points. The Plough. Sirius, the dog. The stars, to me, are like pins and needles, are like the routemap of a nightmare. Don’t join the dots.… Of the stars, one alone can I contemplate without pain. And that’s a planet. The planet they call the evening star, the morning star. Intense Venus.

Each life is a game of chess that went to hell on the seventh move(...)

As regards structure, comedy has come a long way since Shakespeare, who in his festive conclusions could pair off any old shit and any old fudge-brained slag (see Claudio and Hero in Much Ado) and get away with it. But the final kiss no longer symbolizes anything and well-oiled nuptials have ceased to be a plausible image of desire. That kiss is now the beginning of the comic action, not the end that promises another beginning from which the audience is prepared to exclude itself. All right? We have got into the habit of going further and further beyond the happy-ever-more promise: relationships in decay, aftermaths, but with everyone being told a thing or two about themselves, busy learning from their mistakes. So, in the following phase, with the obstructive elements out of the way (DeForest, Gloria) and the consummation in sight, the comic action would have been due to end, happily. But who is going to believe that any more?

Loading...