When I think back over the most memorable parts of Dahl's work, it's always the nastiness that lingers. ... The awful married couple at the center of… - Helen Lewis

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When I think back over the most memorable parts of Dahl's work, it's always the nastiness that lingers. ... The awful married couple at the center of The Twits subject each other to a campaign of relentless psychological harassment. The message of George’s Marvelous Medicine is "Why not brew up all the chemicals you can find in your house and feed the resulting concoction to your grandmother?" This is not an easy fit for an era when peanut packets carry a warning that they contain nuts.

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About Helen Lewis

Helen Lewis (born 30 September 1983) is a British journalist and a staff writer at The Atlantic. She is a former deputy editor of the New Statesman, and has also written for The Guardian, The Times and The Sunday Times.

Also Known As

Alternative Names: Helen Lewis-Hasteley Helen Alexandra Lewis
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Additional quotes by Helen Lewis

[I]n the Netflix documentary the historian David Olusoga makes the important point that Britain tends to celebrate its role in abolishing the slave trade, with rather less focus on its participation in the slave trade. And I recognize a knee-jerk defensiveness in many of the British reactions to Harry and Meghan, including my own. Culture wars flourish best when two things are simultaneously true, and people must choose which one to emphasize. Does the British press sometimes treat the Royal Family appallingly, and do its white-dominated institutions perpetuate racism? Yes and yes. Do Harry and Meghan love rehashing their grievances, and seem unaware that they are wealthy far beyond anything their personal talents would normally merit? Also yes and yes.

[Concerning Harry & Meghan, the 2022 Netflix series about the Duke and Duchess of Sussex.] Unless you have a gaping void where your soul should be, you will notice that the couple do seem to be genuinely smitten with each other. Yet—and this is where it gets tricky—they also appear to be in love with the idea of being "Harry and Meghan" (or, as they might put it, "H and M"). There's an uncomfortable Bonnie-and-Clyde, John-and-Yoko, folie-à-deux undercurrent throughout, as if taking on the Royal Family’s racism and the British press's lack of scruples has become their mission. Us against the world. That is a noble intention, but it has the side effect of centering their entire lives on two institutions that they despise. Do they really want to spend the next 40 years as small, angry planets trapped in the gravitational pull of the Windsors? And have they not heard of diminishing returns? This plotline might sustain Harry's book sales and one or two forgettable Netflix projects after that, but it ends with them delivering $150 birthday messages on Cameo by 2030.

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