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" "Not much of what he said was original. What made him unique was the fact
that he had no sense of detachment at all. He was like the fanatical football fan who
runs onto the field and tackles a player. He saw life as the Big Game, and the whole
of mankind was divided into two teams — Sala's Boys, and The Others. The stakes
were fantastic and every play was vital — and although he watched with a nearly
obsessive interest, he was very much the fan, shouting unheard advice in a crowd of
unheard advisors and knowing all the while that nobody was paying any attention to
him because he was not running the team and never would be. And like all fans he
was frustrated by the knowledge that the best he could do, even in a pinch, would be
to run onto the field and cause some kind of illegal trouble, then be hauled off by
guards while the crowd laughed.
Hunter Stockton Thompson (18 July 1937 – 20 February 2005) was an American journalist and author famous for his flamboyant writing style, known as Gonzo Journalism, which blurred the distinctions between writer and subject, fiction and non-fiction. At the age of 67, suffering a bout of health problems, Thompson died at his home in Woody Creek, Colorado, of a self-inflicted gunshot wound to the head.
Biography information from Wikiquote
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Far from being freaks, the Hell's Angels are a logical product of the culture that now claims to be shocked at their existence. The generation represented by the editors of Time has lived so long in a world full of Celluloid outlaws hustling toothpaste and hair oil that it is no longer capable of confronting the real thing. For twenty years they have sat with their children and watched yesterday's outlaws raise hell with yesterday's world ... and now they are bringing up children who think Jesse James is a television character. This is the generation that went to war for Mom, God and Apple Butter, the American Way of Life. When they came back, they crowned Eisenhower and then retired to the giddy comfort of their TV parlors, to cultivate the subtleties of American history as seen by Hollywood.