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" "Did you know that in 1900 I had the bold idea of renewing German art?.. .First of all I needed to invent a technique of grasping everything while it was in motion, and it was Rembrandts drawings in the Kupferstichkabinett in Munich that showed me how. I practiced seizing things quickly in bold strokes, wherever I was, walking and standing still.. ..and in this way I learned how to depict movement itself, and I found new forms in the ecstasy and haste of this work.. ..and to these forms was added pure colour, as pure as the sun generates it.. ..in line with Goethe's theory [of colours]. It makes pictures much more colorful. Making wood-cuts, which I'd learnt as a fifteen-year-old from my father, helped me to stabler and simpler forms. And armed in this way I returned to Dresden.
Ernst Ludwig Kirchner (6 May 1880 – 15 June 1938) was a German expressionist painter and one of the founders of the artists group Die Brücke (The Bridge).
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Many thanks for your letter and the Gauguin woodcuts.. .One can see, incidentally, that Gauguin had Persian miniatures, Indian batik and Chinese art in his very blood. The shapes of the birds and the horse show that clearly. But although it looks very well, Gauguin can't stimulate us present-day artists much. We need a direct route from life to plastic form. And we get it by perpetually drawing everything we see.
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Here we have been hearing terrible rumours about torture of the Jews [by the Nazis] , but it's all surely untrue. I'm a little tired and sad about the situation up there. There is a war in the air. In the museums, the hard-won cultural achievements of the last 20 years are being destroyed, and yet the reason why founded the Brücke was to encourage truly German art, made in Germany. And now it is supposed to be un-German [Degenerated Art / Entartete Kunst]. Dear God. It does upset me.