Don't expect me to be sane anymore. Don't let's be sensible. It was a marriage at Louveciennes - you can't dispute it. I came away with pieces of you… - Henry Miller

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Don't expect me to be sane anymore. Don't let's be sensible. It was a marriage at Louveciennes - you can't dispute it. I came away with pieces of you sticking to me; I am walking about, swimming, in an ocean of blood, your Andalusian blood, distilled and poisonous. Everything I do and say and think relates back to the marriage. I saw you as the mistress of your home, a Moor with a heavy face, a negress with a white body, eyes all over your skin, woman, woman, woman. I can't see how I can go on living away from you. [...] You became a woman with me. I was almost terrified by it. You are not just thirty years old - you are a thousand years old. [...]
Anaïs, I only thought I loved you before; it was nothing like this certainty that's in me now. Was all this so wonderful only because it was brief and stolen? Were we acting for each other, to each other? Was I less I, or more I, and you less or more you? Is it madness to believe that this could go on? When and where would the drab moments begin?

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About Henry Miller

Henry Valentine Miller (26 December 1891 – 7 June 1980) was an American writer and artist. He was known for developing a new type of semi-autobiographical novel that blended character study, social criticism, philosophical reflection, stream of consciousness, explicit language, sex, surrealist free association, and mysticism.

Biography information from Wikiquote

Also Known As

Native Name: Henry Valentine Miller
Alternative Names: Genri Miller Henri Miller Phineas Flapdoodle
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Shorter versions of this quote

Don't expect me to be sane anymore. Don't let's be sensible. It was a marriage at Louveciennes — you can't dispute it. I came away with pieces of you sticking to me; I am walking about, swimming, in an ocean of blood, your Andalusian blood, distilled and poisonous... I can't see how I can go on living away from you — these intermissions are death. How did it seem to you when Hugo came back? Was I still there? I can't picture you moving about with him as you did with me. Legs closed. Frailty. Sweet, treacherous acquiescence. Bird docility. You became a woman with me. I was almost terrified by it. You are not just thirty years old — you are a thousand years old.

Here I am back and still smouldering with passion, like wine smoking. Not a passion any longer for flesh, but a complete hunger for you, a devouring hunger.

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