As a matter of survival I've created this anti-hero alter-ego, a guy in an ill-fitting suit—part humunculus and part clown. Yep, that's me alright … I could never relate to heroes. I have no interest in drawing heroic characters. It's not my thing, man. I'm more inclined toward the sordid underbelly of life. I find it more interesting to draw grotesque, lurid, or absurd pictures, and I especially enjoy depicting my fevered sexual obsessions.

My style is very self-taught. I sort of taught myself drawing from watching The Simpsons and reading The Far Side. I think you can see those two things come out in my comics. I really like drawing gross stuff. I really like drawing gooey shit. I like to draw Ted Cruz, because he's really melty. I love to draw someone melting, or with extra eyeballs. I love a skull. Fire is really fun. So there's all these things that I just like to draw, and they'll end up in my comics.

Jack’s aliens did not look like anyone else’s aliens. They were dangerous with “alieness.” His characters in general, alien or human, posed with drama. There was something alive, almost sinister, about the locations he drew, whether it was the swamp where the alien craft first landed, or the boarding house where the chase finally ended. Even the coloring was strange, full of raw hues and knockouts where one color was washed over most of a panel, like a raw spotlight shining on the scene. Most of all, the work was vital, bursting with energy even in those panels where characters were merely standing around. And if they were in motion, they moved with authority. It was like no other comic book I had ever seen. In microcosm, that was the genius of Jack Kirby. He was like no other artist who worked in comics, a uniquely gifted individual who brought a new sensibility and a fire to the art and storytelling of American comic books, a fire that burns to this day. I’m happy to say I’m still learning from him.

Mickey Mouse is, to me, a symbol of independence. He was a means to an end. He popped out of my mind onto a drawing pad 20 years ago on a train ride from Manhattan to Hollywood at a time when business fortunes of my brother Roy and myself were at lowest ebb and disaster seemed right around the corner. Born of necessity, the little fellow literally freed us of immediate worry. He provided the means for expanding our organization to its present dimensions and for extending the medium of cartoon animation toward new entertainment levels. He spelled production liberation for us.

One night, when all the thoughts were coming to me, the concept came to me that Superman could have a dual identity, and that in one of his identities he could be meek and mild, as I was, and wear glasses, the way I do. The heroine, who I figured would be some kind of girl reporter, would think he was some kind of worm; yet she would be crazy about this Superman character who could do all sorts of fabulous things. In fact, she was real wild about him, and a big inside joke was that the fellow she was crazy about was also the fellow whom she loathed.

As a science fiction fan, I have long been very familiar with the various themes in the field. The superman theme has been one of them ever since Samson and Hercules. I just sat down and wrote a story of that type — only in this first story, the Superman was a villain. A couple of months after I published this story, it occurred to me that a Superman as a hero rather than as a villain might make a great comic strip character in the vein of Tarzan, only more super and sensational than that great character. Joe and I drew it up as a comic book.

When you think about it, even little kids can draw the face of Spider-Man. But no one can really draw Bumblebee from Transformers. We've deliberately chosen these designs so even little kids can take a crayon and draw an I or an X and make these characters. We made their characters red and blue so they can pick up one crayon and draw them. This is the simplicity we were going for, so anyone can easily draw these characters. I'm designing these characters as if they were actually American comics, so we are going on the idea that there were simpler designs that gradually became more complex until there's a movie. When they're in a movie, it's even more complicated!

It's been ironic, really, because I got into comics wanting to draw superheroes. I used to draw superheroes for fun when I was a kid but in my career, from the earliest days, I wasn't drawing superheroes. Nick Fury: Agent of SHIELD wasn't really a superhero. The first thing that I did, the Hulk, wasn't really a superhero either. If you look at the Doctor Who stuff, what I did for Warrior, then if you look at the work I did on Hellblazer and Preacher as well, that's not superheroes either. The closest I ever got to doing a superhero comic was Wolverine: Origins.

I first followed the comics of Tagawa Suihō and Yokoyama Ryūichi. But suddenly, once I became devoted to Disney, I set out to copy and master that stuffed-animal style, eventually ending up with how I now draw.

..you wanted to be the Superman who was never Clark Kent

When I was a kid I drew like Michelangelo. It took me years to learn to draw like a kid.

Because it all derived from Superman. I mean, I love all the characters, but Superman is just this perfect human pop-culture distillation of a really basic idea. He's a good guy. He loves us. He will not stop in defending us. How beautiful is that? He's like a sci-fi Jesus. He'll never let you down. And only in fiction can that guy actually exist, because real guys will always let you down one way or another. We actually made up an idea that beautiful. That's just cool to me. We made a little paper universe where all of the above is true.

As a young cartoonist, Walt Disney faced many rejections from newspaper editors who said he had no talent. One day a minister at a church hired him to draw some cartoons. Disney was working out of a small rodent-infested shed near the church. Seeing a small mouse inspired him to draw a new cartoon. That was the start of Mickey Mouse.

Wouldn’t they want that first Asian superhero to be somebody who looked the part a little bit more? What I’ve always really appreciated about MCU superheroes versus elsewhere is that they are trying to disrupt the idea of what a superhero can be.