Tommy started to play the guitar and sing. He and I had trekked more than once downtown to the Folk Center to hear a barefoot hillbilly woman in a lo… - Edmund White

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Tommy started to play the guitar and sing. He and I had trekked more than once downtown to the Folk Center to hear a barefoot hillbilly woman in a long, faded skirt intone Elizabethan songs and pluck at a dulcimer or to listen, frightened and transported, to a big black Lesbian with a crew cut moan her way through the blues. The People — those brawny, smiling farmers, those plump, wholesome teens bursting out of bib overalls, those toothless ex-cons, those white-eyed dust bowel victims — the People, half-glimpsed in old photos, films and WPA murals, were about to reemerge, we trusted, into history and our lives.

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About Edmund White

Edmund White (born January 13, 1940) is an American novelist, memoirist, and an essayist on literary and social topics. Much of his writing is on the theme of same-sex love. Probably his best-known books are The Joy of Gay Sex (1977) (written with Charles Silverstein) and his trio of autobiographic novels, A Boy's Own Story (1982), The Beautiful Room Is Empty (1988) and The Farewell Symphony (1997).

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Also Known As

Alternative Names: Edmund Valentine White III
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Additional quotes by Edmund White

The novel is alive and thriving through various strategies of renovation. The merging of fiction and reality, of memoir and narrative, is one great current source of strength. The reimagining of the historical novel is a second. And the third is the admission of new voices previously unheard or slienced.

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Later I would know some real workers — heavily tattooed, hair worn in ponytails, motorcycle-riding, manga-reading, and pill-popping — and I realized they were as batty as we were, far from the standardized robots of our fantasies. Americans, rich or poor, were a nation of weirdos.

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