I think there's many faces of horror, and you can explore the different types of horror out there. - Chris Barnes (musician)

I came from a time when I was listening to Slayer and Slayer was listening to D.R.I. and all of a sudden all the fans of Slayer saw that Jeff Hanneman had a D.R.I. sticker on his guitar or that Lombardo was wearing a D.R.I. shirt in a picture. And you know what, D.R.I. became one of my favorite bands and I went to see them every time they came to town. And then metal heads and hardcore kids, in 1986, 1987 and 1988, they all started coming together and that formed death metal. All of a sudden people started moshing at a Slayer concert because there were a bunch of D.R.I. fans there, because Slayer had enough respect to wear one of their shirts, and that’s how people started slam dancing and shit. That’s how it all crossed together, and to have this separation in music, in death metal, with all these people with their fucking noses stuck in the air about things and being elitist about things, they should take a step back and look in history and see how it all started.

One month in the grave, twisted and half-decayed She turned a putrid yellow, I pissed in her maggot filled asshole [...] The smell was unbearable as I unburied her I cum blood from my erection I feel it run down her throat, swallow

I'm not a death metal singer that sings one style or one tone throughout an entire album or sings the same way on every album. I really take it song by song and I try to adjust my vocal approach to the nuances of the music and how it feels to me and what I want to accommodate to kind of offset those things that I hear in the music to make it more closer to what I feel its related to vocal tone wise. [...] The guttural thing started for me when I heard certain things in the riff. You know, the [syncopation]. [...] So I wanted to really bring my vocals into that. You know, so [they were] like melted together with [the music].