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" "In our young days, when Modigliani and I first came to Paris, in 1906, nobody was very clear about ideas. But unconsciously, we knew quite a lot of things, of which we became aware later on.
Gino Severini (Cortona, 7 April 1883 – 26 February 1966), was an Italian painter and a leading member of the Futurist movement; he signed in 1910 the Manifesto of the Futurists together with his fellow Italians: Boccioni, Carrà, Russolo and Balla. Later, Cubism attracted him more.
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In the early days the Cubists' method of grasping an object was to go round and round it; the futurists declared that one had to get inside it. In my opinion the two views can be reconciled in a poetic cognition of the world. But to the very fact that they appealed to the creative depths in the painter by awakening in him hidden forces which were intuitive and vitalizing, the Futurist theories did more than the Cubist principles to open up unexplored and boundless horizons.