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" "Probably every photographer has at times found it convenient to print one part of a negative more than another or lias covered another portion during printing, thus deliberately making those portions lighter or darker, as the case may be.
(1863 – 25 February 1908) was an English landscape photographer, best known for his work in the pictorialist movement in the 1890s and early 1900s.
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Should any of my readers have failed to get useful cloud negatives, and are close upon giving up in despair, as I have known many to be, I would recommend them to forthwith take a slow plate, insert F 45 stop in the lens, and make a quick shutter exposure on some wellmarked sun -lit clouds. Then develop with a slightly diluted developer, and see what comes of it. Probably, if the clouds be heavy, they will be a little under-exposed. Then, from this as a basis it should not be difficult to get on the right road.
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If we are to select our subjects or arrange our groups with a pictorial motive we must absolutely and entirely sacrifice every other consideration, and be prepared to cut out of our composition the prettiest and most interesting item, if by so doing composition pure and simple is improved. And if some subject you are attached to will not admit of composition or will not admit of your treating it pictorially, then photograph it if you wish, but never suppose that it will form a picture.