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This is what the sculptor must do. He must strive continually to think of, and use, form in its full spatial completeness. He gets the solid shape, a… - Henry Moore
" "This is what the sculptor must do. He must strive continually to think of, and use, form in its full spatial completeness. He gets the solid shape, as it were, inside his head - he thinks of it, whatsoever its size, as if he were holding it completely enclosed in the hollow of his hand. He mentally visualizes a complete form..
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About Henry Moore
Henry Moore OM CH FBA (30 July 1898 – 31 August 1986) was an English artist and sculptor, best known for his monumental bronzes, which combined abstract art and Surrealism, as Moore frequently declared himself. He is famous for his many large sculptures, located worldwide as public works of art.
Biography information from Wikiquote
Also Known As
Alternative Names:
Henry Spencer Moore
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Henari Mure
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Henri Mur
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Henri Mor
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Henry II Moore
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Heng-li Mo-erh
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Henry Moore II
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Additional quotes by Henry Moore
I feel the conflict still exists in me – but not causing me any difficulty in working, as it did immediately after returning from Italy [in 1925]. In fact I ask myself is this [the] conflict what makes things happen? For it seems to me now that this conflict between the excitement & great impression I got from Mexican sculpture & the love & sympathy I felt for Italian art, represents two opposing sides in me, the 'tough' & the 'tender', & that many other artists have had the same two conflicting sides in their natures.. ..and really I see no difficulty in appreciating both sides & finding them in the same artist. Perhaps an obvious & continuous synthesis will eventually derive in my own work – I can’t say – I can only work as I feel & believe at the time I do the work.
The subconscious plays a great part in art, that is to say that in conceiving & realizing a work a great deal happens which cannot be logically explained – the mind jumps from one stage to another much further on without there being traceable steps shown between – sudden solutions which cannot be followed step by step – in a word – inspiration.
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The distinguishing quality of most primitive art is the intense vitality which it possesses, because it has been made by a people in close touch with life, who felt simply and strongly, and whose art was a means of expressing vitally important beliefs, hopes and fears. Negro sculpture is essentially religious and cannot be detached from the tribal gods, priests and ancient rituals. When civilization destroyed these things, it also destroyed their Art. These carvings have a serious and pathetic power – a bigness and monumental simplicity born of the racial patience in bearing life with all its terror and mystery.. ..(But as always, it was the artist who was the first to see in them a new thing – a new plastic conception – an artistic worth – a value as art – their importance as art).
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