It is not enough to demand insight and informative images of reality from the theater. Our theater must stimulate a desire for understanding, a delig… - Bertolt Brecht

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It is not enough to demand insight and informative images of reality from the theater. Our theater must stimulate a desire for understanding, a delight in changing reality. Our audience must experience not only the ways to free Prometheus, but be schooled in the very desire to free him. Theater must teach all the pleasures and joys of discovery, all the feelings of triumph associated with liberation.

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About Bertolt Brecht

Eugen Berthold Friedrich Brecht (10 February 1898 – 14 August 1956), commonly known as Bertolt Brecht, was a German Marxist dramatist, stage director and poet. He is remembered for the Distancing effect practice in performing arts (known in German as Verfremdungseffekt or V-Effekt).

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Also Known As

Alternative Names: Berŭtʻoltʻŭ Bŭrehitʻŭ Pertōl Pirekcṭ Mpertolt Mprecht Pu-lai-hsi-tʻe Pertōlṭ Pirekcṭ Perṭōlṭ Pireṣṭ Bertolt Breht Bert Brecht Eugen Berthold Friedrich Brecht Bertholt Brecht Bertolʹd Brekht Bertolʹt Brekht Bertold Brecht Bŭrehitʻŭ Pei-tʻo-erh-tʻe Pu-lai-hsi-tʻe
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Additional quotes by Bertolt Brecht

My business is too difficult. My business is trying to arouse human pity. There are few things that'll move people to pity, a few, but the trouble is when they've been used several times, they no longer work. So it happens, for instance, that a man who sees another man on the street corner with only a stump for an arm will be so shocked the first time that he'll give him sixpence. But the second time it'll only be a threepenny bit. And if he sees him a third time, he'll hand him over cold-bloodedly to the police.

میان همه ی چیزهای قطعی،قطعی ترینشان تردید است

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The theater-goer in conventional dramatic theater says: Yes, I've felt that way, too. That's the way I am. That's life. That's the way it will always be. The suffering of this or that person grips me because there is no escape for him. That's great art — Everything is self-evident. I am made to cry with those who cry, and laugh with those who laugh. But the theater-goer in the epic theater says: I would never have thought that. You can't do that. That's very strange, practically unbelievable. That has to stop. The suffering of this or that person grips me because there is an escape for him. That's great art — nothing is self-evident. I am made to laugh about those who cry, and cry about those who laugh.

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