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" "One should not go into churches if one wishes to breathe pure air.
Friedrich Wilhelm Nietzsche (15 October 1844 – 25 August 1900) was a German philosopher, cultural critic, composer, poet, writer, and philologist whose work has exerted a profound influence on modern intellectual history. His critiques of contemporary culture, religion, and philosophy centered on a basic question regarding the foundation of values and morality.
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Nobody can build the bridge for you to walk across the river of life, no one but you yourself alone. There are, to be sure, countless paths and bridges and demi-gods which would carry you across this river; but only at the cost of yourself; you would pawn yourself and lose. There is in the world only one way, on which nobody can go, except you: where does it lead? Do not ask, go along with it.
To love mankind for the sake of God-that has been the most nobel and far-fetched feeling yet achieved by human beings. The idea that without some sanctifying ulterior motive, a love of mankind is just one more brutish stupidity, that the predisposition to such a love must first find its weight, its refinement, its grain of salt and pinch of ambergris in another even higher predisposition-whoever first felt and 'witnessed' this, and however much his tongue may have stuttered in attempting to express such a delicate idea: may he remain forever venerable and holy in our sight as the man who as yet has flown the highest and erred the most beautifully!
In this way, a philosophy which veiled the Philistine confessions of its founder beneath neat twists and flourishes of language proceeded further to discover a formula for the canonization of the commonplace. It expatiated upon the rationalism of all reality, and thus ingratiated itself with the Culture-Philistine, who also loves neat twists and flourishes, and who, above all, considers himself real, and regards his reality as the standard of reason for the world. From this time forward he began to allow every one, and even himself, to reflect, to investigate, to aestheticise, and, more particularly, to make poetry, music, and even pictures—not to mention systems of philosophy; provided, of course, that ... no assault were made upon the “reasonable” and the “real”—that is to say, upon the Philistine.