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...can be read as an ‘answer’ to…Mailer’s The White Negro (1957) and other works of that period recommending crime and ... murder as expressions of e… - Anthony Burgess
" "...can be read as an ‘answer’ to…Mailer’s The White Negro (1957) and other works of that period recommending crime and ... murder as expressions of existential freedom. ...Mailer recommended that whites emulate ... traits that ... were producing ... the black 'underclass'. In A Clockwork Orange, the young thugs are scarcely existential heroes. The surrounding society does not provide the norms which, internalized, allow for civilization. In the underclass foreseen in A Clockwork Orange, Mr Mailer’s sentimental dream has become our own nightmare.
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About Anthony Burgess
Anthony Burgess (25 February 1917 – 22 November 1993) was an English writer and composer whose novels include the Malayan trilogy, A Clockwork Orange, the Enderby cycle, Nothing Like The Sun, Earthly Powers and The Kingdom Of The Wicked. He also produced critical works on Joyce, Lawrence, Hemingway and Shakespeare, and studies of language and of pornography.
Biography information from Wikiquote
Also Known As
Pen Names:
Джозеф Келл
•
Энтони Пауэл
•
Энтони Джилверн
Birth Name:
John Anthony Burgess Wilson
Alternative Names:
John Burgess Wilson
•
Joseph Kell
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Additional quotes by Anthony Burgess
And then, before he told me, I knew what it was. The old ptitsa who had
all the kots and koshkas had passed on to a better world in one of the city
hospitals. I'd cracked her a bit too hard, like. Well, well, that was
everything. I thought of all those kots and koshkas mewling for moloko and
getting none, not any more from their starry forella of a mistress. That was
everything. I'd done the lot, now and me still only fifteen.
They have turned you into something other than a human being. You have no power of choice any longer. You are committed to socially acceptable acts, a little machine capable only of good. And I see that clearly — that business about the marginal conditionings. Music and the sexual act, literature and art, all must be a source now not of pleasure but of pain.
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