Do I fear death? No, I am not afraid of being dead because there's nothing to be afraid of, I won't know it. I fear dying, of dying I feel a sense of… - Christopher Hitchens

In his book The Captive Mind, written in 1951-2 and published in the West in 1953, the Polish poet and essayist Czeslaw Milosz paid Orwell one of the greatest compliments that one writer has ever bestowed upon another. Milosz had seen the Stalinisation of Eastern Europe from the inside, as a cultural official. He wrote, of his fellow-sufferers:

<blockquote>A few have become acquainted with Orwell’s 1984; because it is both difficult to obtain and dangerous to possess, it is known only to certain members of the Inner Party. Orwell fascinates them through his insight into details they know well, and through his use of Swiftian satire. Such a form of writing is forbidden by the New Faith because allegory, by nature manifold in meaning, would trespass beyond the prescriptions of socialist realism and the demands of the censor. Even those who know Orwell only by hearsay are amazed that a writer who never lived in Russia should have so keen a perception into its life.</blockquote>

Only one or two years after Orwell’s death, in other words, his book about a secret book circulated only within the Inner Party was itself a secret book circulated only within the Inner Party.

I am not even an atheist so much as an antitheist; I not only maintain that all religions are versions of the same untruth, but I hold that the influence of churches and the effect of religious belief, is positively harmful. Reviewing the false claims of religion I do not wish, as some sentimental materialists affect to wish, that they were true. I do not envy believers their faith. I am relieved to think that the whole story is a sinister fairy tale; life would be miserable if what the faithful affirmed was actually true.... There may be people who wish to live their lives under cradle-to-grave divine supervision, a permanent surveillance and monitoring. But I cannot imagine anything more horrible or grotesque.

As Shakespeare put it in 'King Lear,' the policeman who lashes the whore has a hot need to use her for the very offense for which he plies the lash.