Appearance is not reality, except in Washington. - Mark Riebling

The flaw in the work is the flaw in the man.

Many good writers, from Montaigne to Mencken, have been impolitic, colicky, or sassy.

Ever since 1953, when Russell Kirk produced its intellectual coat of arms, conservatism has been "what Edmund Burke wrote." This is the equivalent of Arthur Danto’s institutional theory of art—art is whatever the art world says it is. But it’s also a cop-out. Instead of analyzing conservatism in an Aristotelian way, instead of asking how we use the term in real life, we just describe Burke. In the process, don’t we risk fleeing into what Tanenhaus calls an "alternative universe"? If conservatives are "glaringly disconnected from the realities now besetting America," as Tanenhaus says, why is the solution to be more like a man who wore a powdered wig? Liberals have problems of their own, but, to their credit, they don’t sit around debating whether Hillary Clinton or John Edwards is the "real Rousseauian."