Schumann claimed that his object in writing music was to influence the imagination of the listeners that they could go on dreaming for themselves. - Walter Raymond Spalding

Chabrier (1841–1894) is noted for a bold exuberance and vividness of expression, for a sense of humor and for a power of orchestral color and brilliance which have not been duplicated. … Born in the South of France, the hot blood of that magic land seems to throb in his music.

Listz was undoubtedly encouraged in his revolutionary aims by Wagner's fiery courage.

The G minor Symphony is universally acknowledged to be the highest achievement of 18th century instrumental music and is also premonitory of that subjective spirit peculiar to the 19th century. It will remain immortal so long as human beings are capable of being touched by sincere revelation of emotion combined with a perfection of utterance which seems fairly Divine. This delicate treatment and this exquisite finish are two prominent characteristics of Mozart's style. Truly the Symphony is the quintessence of Mozart in terms of sound and rhythm, and we need but to listen to his message and receive it with grateful appreciation. ... The first movement begins at once with a gracefully poised theme sung by the violins, a theme which may be likened in its outlines to the purity of a Greek statue. The entrancing effect of this melody cannot be realized except on the orchestra, for it seems to float on the gently pulsating chords of the violas like a beautiful flower.