Chabrier (1841–1894) is noted for a bold exuberance and vividness of expression, for a sense of humor and for a power of orchestral color and brillia… - Walter Raymond Spalding

Next to rhythm, modulation is the most stimulating and enchanting element in music. No composition of any scope can be considered truly great unlesss it abounds in beautiful modulations. Certain composers, to be sure, have in this respect more genius than others—notably Schubert, Chopin, Wagner and Franck whose music seems to waft us along on a magic carpet of delight. But just as Unity depends upon a definite basic tonality, so Variety is gained by this very freedom of modulation. … By the perfect balance in his works of these two related elements a genius may be definitely recognized.

The significant development of the Harvard Band is chiefly attributable to the artistic skill and enterprise of Leroy Anderson. Anderson has a remarkable inborn sense of rhythm and magnetic authority as a conductor. While in college he was a ranking student in the Department of Music and has no small skill as a composer, as may be seen from his exciting potpourri Wintergreen for President, including tunes by Gershwin and some of his own.

[O]f all the arts, music makes the most direct appeal to the emotions and to those shadowy, but real portions of our being called the imagination and the soul. Emotion is as indispensible to music as love to religion.