"I mean one can be so remote in spirit from one's actual father -or mother- it's as though one doesn't belong to them. Spiritually," he dared, "one c… - Patrick White

Religion. Yes, that's behind all my books. What I am interested in is the relationship between the blundering human being and God. I belong to no church, but I have a religious faith; it's an attempt to express that, among other things, that I try to do. Whether he confesses to being religious or not, everyone has a religious faith of a kind. I myself am a blundering human being with a belief in God who made us and we got out of hand, a kind of Frankenstein monster. Everyone can make mistakes, including God. I believe God does intervene; I think there is a Divine Power, a Creator, who has an influence on human beings if they are willing to be open to him.

Lal Wyburd would naturally have interpreted as selfishness every floundering attempt anybody made to break out of the straitjacket and recover a sanity which must have been theirs in the beginning, and might be theirs again in the end. That left the long stretch of the responsible years, when you were lunging in your madness after love, money, position, possessions, while an inkling persisted, sometimes even a certainty descended: of a calm in which the self had been stripped, if painfully, of its human imperfections.

I am interested in detail. I enjoy decoration. By accumulating this mass of detail you throw light on things in a longer sense: in the long run it all adds up. It creates a texture — how shall I put it — a background, a period, which makes everything you write that much more convincing. Of course, all artists are terrible egoists. Unconsciously you are largely writing about yourself. I could never write anything factual; I only have confidence in myself when I am another character. All the characters in my books are myself, but they are a kind of disguise.