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" "The opposition between women who are people and women who
are something less does not only rest in the vague contrast between
the women of the comedies and the women of the tragedies. There
are more explicit examples of women who may earn love, like Helena who pursued
her husband through military brothels to marriage and honour in
All’s Well, and women who must lose it through inertia and gormlessness,
like Cressida. In The Taming of the Shrew Shakespeare contrasted
two types in order to present a theory of marriage which is
demonstrated by the explicit valuation of both kinds of wooing in
the last scene. Kate is a woman striving for her own existence in a
world where she is a stale, a decoy to be bid for against her sister’s
higher market value, so she opts out by becoming unmanageable,
a scold. Bianca has found the women’s way of guile and feigned
gentleness to pay better dividends: she woos for herself under false
colours, manipulating her father and her suitors in a perilous game
which could end in her ruin. Kate courts ruin in a different way, but she has the uncommon good fortune to find Petruchio who is man
enough to know what he wants and how to get it. He wants her
spirit and her energy because he wants a wife worth keeping. He
tames her like he might a hawk or a high-mettled horse, and she
rewards him with strong sexual love and fierce loyalty. Lucentio
finds himself saddled with a cold, disloyal woman, who has no objection
to humiliating him in public. The submission of a woman
like Kate is genuine and exciting because she has something to lay
down, her virgin pride and individuality: Bianca is the soul of duplicity,
married without earnestness or good-will. Kate’s speech at the
close of the play is the greatest defence of Christian monogamy ever
written. It rests upon the role of a husband as protector and friend,
and it is valid because Kate has a man who is capable of being both,
for Petruchio is both gentle and strong (it is a vile distortion of the
p
Germaine Greer (born 29 January 1939) is an Australian author, academic, critic and journalist.
Biography information from Wikiquote
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Every wife who slaves to keep herself pretty, to cook her husband's favourite meals, to build up his pride and confidence in himself at the expense of his sense of reality, to be his closest and effectively his only friend, to encourage him to rejectthe consensus of opinionand find reassurance only in her arms is binding her mate to her with hoops of steel that will strangle them both.
Libraries are reservoirs of strength, grace, and wit, reminders of order, calm, and continuity, lakes of mental energy, neither warm nor cold, light nor dark. The pleasure they give is steady, unorgastic, reliable, deep, and long-lasting. In any library in the world, I am at home, unselfconscious, still, and absorbed.
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Compulsory motherhood is not ennobling, although the friends of the foetus are at pains to point out that most women denied abortions end up loving their issue just the same. Whether they love them just the same as they would have if they had wanted them is of course unverifiable; most women are not so perverse and unjust as to punish their children for the crimes of society (their fathers), but the oppression of their circumstances is real notwithstanding. For the oppressors themselves to take credit for the women's magnanimity is sickeningly smug. The compelled mother loves her child as the caged bird sings. The song does not justify the cage nor the love the enforcement.