Germaine Greer Quotes

The problem of the survival of humanity is not a matter of ensuring the birth of future generations but of limiting it. The immediate danger to humanity is that of total annihilation within a generation or two, not the failure of mankind to breed. A woman seeking alternative modes of life is no longer morally bound to pay her debt to nature.

By 1627 Judith Leyster was famous enough to be mentioned in Ampzing's description of the city of Haarlem; by 1661 she had been so far forgotten that De Bie does not mention her in his Golden Cabinet. Her eclipse by Frans Hals may have begun in her own lifetime, as a consequence of her marriage to Molenaer perhaps, for Sir Luke Schaub acquired the painting now known as The Jolly Companions as a Hals in Haarlem in the seventeenth century. If Judith Leyster had not been in the habit of signing her work with the monogram JL attached to a star, a pun on the name her father had taken from his brewery, Leyster or Lodestar, her works might never have been reattributed to her: few paintings can boast of a provenance as clear as that of The Jolly Companions. As a result of the discovery that The Jolly Companions bore Leyster's monogram, the English firm which had sold the painting to Baron Schlichting in Paris as a Hals attempted to rescind their own purchase and get their money back from the dealer, Wertheimer, who had sold it to them for £4500 not only as a Hals but "one of the finest he ever painted." Sir John Millars agreed with Wertheimer about the authenticity and value of the painting. The special jury and the Lord Chief Justice never did get to hear the case, which was settled in court on 31st May 1893, with the plaintiffs agreeing to keep the painting for £3500 plus £500 costs. The gentlemen of the press made merry at the experts' expense, for all they had succeeded in doing was in destroying the value of the painting. Better, they opined, to have asked no questions. At no time did anyone throw his cap in the air and rejoice that another painter, capable of equalling Hals at his best, had been discovered.

We can say the brotherhood of man, and pretend that we include the sisterhood of women, but we know that we don't. Folklore has it that women only congregate to bitch an absent member of their group, and continue to do so because they are to well aware of the consequences if they stay away. It's meant to be a joke, but like jokes about mothers-in-law it is founded in bitter truth.

We can only afford two children' is a squalid argument, but more acceptable in our society than 'we don't like children'.

For love’s sake women must reject the roles that are offered to
them in our society. As impotent, insecure, inferior beings they can
never love in a generous way.

Η βιβλιοθήκη είναι ένα μέρος όπου μπορείς να χάσεις την αθωότητά σου χωρίς να χάσεις την παρθενιά σου.

Love, love, love – all the wretched cant of it, masking egotism, lust, masochism, fantasy under a mythology of sentimental postures, a welter of self-induced miseries and joys, blinding and masking the essential personalities in the frozen gestures of courtship, in the kissing and the dating and the desire, the compliments and the quarrels which vivify its barrenness.

It [childbearing] was never intended to be as time-consuming and self-conscious a process as it is. One of the deepest evils in our society is tyrannical nurturance.

Reading was my first solitary vice (and led to all others). I read while I ate, I read in the loo, I read in the bath. When I was supposed to be sleeping, I was reading.

The chief means of liberating women is replacing of compulsiveness and compulsion by the pleasure principle. Cooking, clothes, beauty, and housekeeping are all compulsive activities in which the anxiety quotient has long since replaced the pleasure or achievement quotient. It is possible to use even cooking, clothes, cosmetics and housekeeping for fun. The essence of pleasure is spontaneity. In these cases spontaneity means rejecting the norm, the standard that one must live up to, and establishing a self-regulating principle.

The wedding is the chief ceremony of the middle-class mythology, and it functions as the official entrée of the spouses to their middle-class status. This is the real meaning of saving up to get married. The young couple struggles to set up an image of comfortable life which they will be forced to live up to in the years that follow.

No one goes to the toilet in novels. You'd think none of us had bladders.

It takes a great deal of courage and independence to decide to design your own image instead of the one that society rewards, but it gets easier as you go along.

The Great Bitch is the deadly female, a worthy opponent for the omnipotent hero to exercise his powers upon and through. She is desirous, greedy, clever, dishonest, and two jumps ahead all the time. The hero may either have her on his side and like a lion-tamer sool her on to his enemies, or he may have to battle for his life at her hands.

Until woman as she is can drive this plastic spectre out of her own and her man's imagination she will continue to apologize and disguise herself, while accepting her male's pot-belly, wattles, bad breath, farting, stubble, baldness and other ugliness without complaint.