...as I write, Johnny Rotten's first moments in "Anarchy in the U.K."–a rolling earthquake of a laugh, a buried shout, then hoary words somehow strip… - Greil Marcus

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...as I write, Johnny Rotten's first moments in "Anarchy in the U.K."–a rolling earthquake of a laugh, a buried shout, then hoary words somehow stripped of all claptrap and set down in the city streets–I AM AN ANTICHRIST–Remain as powerful as anything I know. Listening to the record today–listening to the way Johnny Rotten tears at his lines, and then hurls the pieces at the world; recalling the all-consuming smile he produced as he sang–my back stiffens; I pull away even as my scalp begins to sweat.

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About Greil Marcus

Greil Marcus (born 1945) is an American author, music journalist and cultural critic notable for producing scholarly and literary essays that place rock music in a much broader framework of culture and politics than is customary in pop music journalism.

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Complete freedom meant — no one knew. It was most readily defined in the negative: not this gap between the heaven promised in the new advertisements and the everyday satisfactions I can buy. Not the sense that when I leave my work for my family, and bring my family to a Sunday in the park, my leisure feels like work. Not this mad conviction that I’m a stranger in my own home town, that at work I feel like a machine, that in the park I feel like an advertisement, that at home I feel like a tourist.

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While it's well known that as one gets older, one tends to find changes in the world at large unsettling, confusing, fucking irritating, a rebuke to one's very existence, it's generally not a good idea to make a career out of saying so. (emphasis in the original)

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