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" "The spiraling shapes, and the beautiful contrasts of yellow and blue, that are intuitively felt one evening while living the movements of a girl dancing may be found again later, through a process of plastic preferences or aversions, or through combination of both, in the concentric circling of an aeroplane or in the onrush of an express train
Gino Severini (Cortona, 7 April 1883 – 26 February 1966), was an Italian painter and a leading member of the Futurist movement; he signed in 1910 the Manifesto of the Futurists together with his fellow Italians: Boccioni, Carrà, Russolo and Balla. Later, Cubism attracted him more.
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The truth lies somewhere between these two aesthetics [static Cubism and dynamic Futurism]. The 'pure form' of w:Ingres led inevitably to a life-less Platonism; the lyricism and Romanticism of Eugène Delacroix no longer tailed with our cerebral and geometric age.. ..as in all great ages, today's artwork must be the synthesis of these two things [quote, 1917].
Original in Italian: ho trovato nel vostro libro la conferma delle mie ultime conclusioni e gli strumenti per approfondire questo as petto della questione artistica.
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Before my encounter with Thomist philosophy through Maritain, I had almost reached the same conclusions through the logical development of my work, intuition and thought, but what a great sense of joy I felt upon discovering, in Maritain, the confirmation of certain thought patterns, certain ways of clarifying these to myself and to others.