Take a piece of glass of the size of a half sheet of royal folio paper, and fix it... between your eye and the object you wish to portray. Then move … - Leonardo da Vinci

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Take a piece of glass of the size of a half sheet of royal folio paper, and fix it... between your eye and the object you wish to portray. Then move it away until your eye is two-thirds of a braccio away from the piece of glass, and fasten your head by means of an instrument in such a way as to prevent any movement of it whatsoever. Then close or cover up one eye, and with a brush or a piece of red chalk finely ground mark out on the glass what is visible beyond it; afterwards, copy it by tracing on paper from the glass, then prick it out upon paper of a better quality and paint it if you so desire, paying special attention to the aerial perspective.

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About Leonardo da Vinci

Leonardo di ser Piero da Vinci (15 April 1452 – 2 May 1519) was an Italian Renaissance painter, architect, inventor, engineer, sculptor, and musician. His best known painting is the Mona Lisa.

Biography information from Wikiquote

Also Known As

Alternative Names: Leonardo di ser Piero da Vinci Leonardo da Vinci Leonard Léonard Leonardo Da Vinci
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Additional quotes by Leonardo da Vinci

Obstacles cannot crush me; every obstacle yields to stern resolve.

To preserve Nature's chiefest boon, that is freedom, I can find means of offence and defence, when it is assailed by ambitious tyrants, and first I will speak of the situation of the walls, and also I shall show how communities can maintain their good and just Lords.

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"Further than this, influenced by Platonic thought, Leonardo's conception of painting was, as an intellectual state or condition, outwardly projected. The painter who practised his art without reasoning of its nature was like a mirror unconsciously reflecting what was before it. Although without a "manual act" painting could not be realized, its true problems — problems of light, of colour, pose and composition, of primitive and derivative shadow — had all to be grasped by the mind without bodily labour. Beyond this, the scientific foundation in art came through making it rest upon an accurate knowledge of nature. Even experience was only a step towards attaining this."

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