"The aim is to destabilise Jeremy's leadership," Loach said, apparently unaware that suggesting Jews make allegations about antisemitism for their po… - Ken Loach

"The aim is to destabilise Jeremy's leadership," Loach said, apparently unaware that suggesting Jews make allegations about antisemitism for their political or personal benefit is, in fact, one of the oldest antisemitic tropes there is.

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About Ken Loach

Kenneth Charles Loach (born 17 June 1936) is a British film director and screenwriter. His films, which commentators consider socially aware and to display socialist ideals, are themed around issues such as poverty (Poor Cow, 1967), homelessness (Cathy Come Home, 1966), and labour rights (Riff-Raff, 1991, and The Navigators, 2001). Loach's film Kes (1969) was voted the seventh greatest British film of the 20th century in a poll by the British Film Institute. Two of his films, The Wind That Shakes the Barley (2006) and I, Daniel Blake (2016), received the Palme d'Or at the Cannes Film Festival, making him one of only nine filmmakers to win the award twice. Loach also holds the record for most films in the main competition at Cannes, with fifteen films.

Also Known As

Birth Name: Kenneth Charles Loach
Alternative Names: Kenneth Loach

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Additional quotes by Ken Loach

[On politics in the 1960s] There was a feeling that there was a great possibility of political change. Obviously, no one knew in what form it would come, but there was a sense that the working class was getting politically conscious, particularly those involved in occupations and industrial disputes.
The quality of political discussion was higher. People understood die analysis even if they disagreed with it.

But Loach was not always a lefty – far from it. At school, he represented the Tories in a mock election. "I don’t think too much should be made of that," he says. I had assumed he was playing devil's advocate, or it was just a passing teenage whim, but no, he says: these were the values with which he was brought up. Loach's father was an electrician who became a foreman in his factory in Nuneaton – a classic working-class Tory, he says.

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[On film executive Nat Cohen, then responsible (according to his rivals) for about 50% of film production in the UK] I found Nat very kind and helpful. [...] [A] lot of things went wrong in those films and I realise it now. I saw this but he didn't say a word and allowed me to finish.
That's on a personal level. On a different level I find Nat's position in the film industry very disturbing. He has too much control over it. Do you know how he works? Every morning he studies the box office receipts and sees which films are making money and concentrates on those. So, slowly, the spectrum is becoming narrower and narrower.

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