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"The first thing they do to you when you go into New-Path," Charles Freck said, "is they cut off your pecker. As an object lesson. And then they fan out in all directions from there."
"Your spleen next," Barris said.
"They what, they cut — What does that do, a spleen?"
"Helps you digest your food."
"How?"
"By removing the cellulose from it."
"Then I guess after that — "
"Just noncellulose foods. No leaves or alfalfa."
"How long can you live that way?"
Barris said, "It depends on your attitude."
"How many spleens does the average person have?" He knew there usually were two kidneys.
"Depends on his weight and age."
"Why?" Charles Freck felt keen suspicion.
"A person grows more spleens over the years. By the time he's eighty — "
"You're shitting me."
Philip Kindred Dick (16 December 1928 – 2 March 1982) was an American writer, whose published works mainly belong to the genre of science fiction. Dick explored philosophical, sociological and political themes in novels with plots dominated by monopolistic corporations, authoritarian governments, and altered states of consciousness. In his later works, Dick's thematic focus tended to reflect his personal interest in metaphysics and theology.
Biography information from Wikiquote
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Grief causes you to leave yourself. You step outside your narrow little pelt. And you can’t feel grief unless you’ve had love before it – grief is the final outcome of love, because it’s love lost. You do understand; I know you do. But you just don’t want to think about it. It’s the cycle of love completed: to love, to lose, to feel grief, to leave, and then to love again. Jason, grief is awareness that you will have to be alone, and there is nothing beyond that because being alone is the ultimate final destiny of each individual living creature. That’s what death is, the great loneliness.
The mystery, he thought, the explanation, he means. Of a secret. A sacred secret. We shall not die. The reflexions shall leave. And it will happen fast. We shall all be changed, and by that he means reversed back, suddenly. In the twinkling of an eye. Because we are fucking backward right now, I guess, every one of us, everyone and every damn thing, and distance, and even time. But how long, he thought, when a print is being made, a contact print, when the photographer discovers he's got the negative reversed, how long does it take to flip it? To reverse it again so it's like it's supposed to be? A fraction of a second.
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He could not endure what he found himself going through, and he could not get away. It seemed to him as if he sat behind the tiller of his custom-made unique quibble, facing a red light, green light, amber light all at once; no rational response was possible. Her irrationality made it so. The terrible power, he thought, of illogic. Of the archetypes. Operating out of the drear depths of the collective unconscious which joined him and her — and everyone else — together. In a knot which could never be undone, so long as they lived.
No wonder, he thought, some people, many people, long for death.