We switched out the light and tried to sleep again; the windows were clouded with steam as the train shrieked along the tracks, and we thought of the… - Alvah Bessie
" "We switched out the light and tried to sleep again; the windows were clouded with steam as the train shrieked along the tracks, and we thought of the thousands from all countries who had traveled this way before, and of those who had not come back. We thought of the volunteer organizations throughout the world that were helping to get these men to Spain; we thought of the men from Fascist countries, who had known the enemy at first hand, had escaped from their own countries and traveled thousands of miles to get to Spain to fight the enemy on another front, and who would have no homes if they survived the war. We were optimistic of the outcome.
About Alvah Bessie
Alvah Cecil Bessie (June 4, 1904 – July 21, 1985) was an American novelist, journalist and screenwriter who was imprisoned for ten months and blacklisted by the movie studio bosses for being one of the group known as the Hollywood Ten. In 1938, Bessie fought in the "Abraham Lincoln Brigade", an all-volunteer unit of Americans who fought for the Republican side of the Spanish Civil War.
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Additional quotes by Alvah Bessie
I was four years in the war," Merkel said. "German army." "What was it like?" "It ain't bad," he said. "It ain't bad at all; you get used to it. You never see the enemy; you shoot and shoot and you never see 'em. It ain't bad at all." We talked of the World War and the Spanish War. Merkel told us that he had done underground work in Germany, and of the discontent among the German workers. "Every ship what comes to Hamburg," he said, "brings literature for 'em; they eat it up. I fight against Hitler, that bastard," he said. We talked of conditions back home; of Roosevelt's popularity and liberalism, and of the reactionary opposition they were trying to whip up again; of its chances of success. "In the end," Merkel said, "you can't fool the workers. Takes 'em maybe a long time to wake up with the newspapers saying lies all the time, but you can't fool 'em."
Hemingway was eager as a child, and I smiled remembering the first time I had seen him, at a Writers' Congress in New York. He was making his maiden public speech, and when it didn't read right, he got mad at it, repeating the sentences he had fumbled, with exceptional vehemence. Now he was like a big kid, and you liked him. He asked questions like a kid: "What then? What happened then? And what did you do? And what did he say? And then what did you do?" Matthews said nothing, but he took notes on a folded sheet of paper. "What's your name?" said Hemingway; I told him. "Oh," he said, "I'm awful glad to see you; I've read your stuff." I knew he was glad to see me; it made me feel good, and I felt sorry about the times I had lambasted him in print; I hoped he had forgotten them, or never read them. "Here," he said, reading in his pocket. "I've got more." He handed me a full pack of Lucky Strikes.
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The Swede who had walked in his sleep- he had not been wounded. Before we went into Batea he was in our peloton with Tabb and Moish Taubman and Johnson and Sid... He seemed to be stupid, but he wasn't. He never spoke, he never asked questions, but he had a face like a snake- he had the attentive expression of a reptile, pale, hard, unmoving eyes, a wide thin mouth, an impassive face. They said he had refused to retreat; he had set up his machine-gun on a hill, and told the others he was with, "Go on, I cover you." They left him there on the hill alone, his machine-gun banging away as the tanks came up.