I want to build vast machines of light and darkness, intricate mechanisms within mechanisms, a progression of gears and cogs and pistons each working… - Caitlín R. Kiernan

At some point, I stopped and made the following note to myself: I have never finished a story. I'm beginning to see that now. I don't think that there's ever a point where a story or novel is just exactly right. There are only finer and lesser degrees of refinement, and even those are probably subjective. You might think it's perfect for a time, but read it a year or five years later, and you'll see you were mistaken. There's always something I can make better, every time I read one of my stories. Usually there are dozens of somethings. And I once thought this wasn't true, that a story reached a certain point and beyond that point you were only changing things, making them different, not making them better. Indeed, I thought, beyond a point, you risk screwing it all up. I don't think that anymore. You risk screwing it all up right from the start, and no story is ever as perfect as it can be. Perfection is always one or two polishes away from the writer.

If there must be resolution and explanation, it must be something worth its weight in mystery. Most times, I'd be content with the mystery.

"The horse is dead," she says and squeezes Soldier's hand. "From here we walk."
"Anyone ever told you you're sort of a creepy kid?" Odd Willie asks.
"All the damn time," Emmie tells him. "I don't bother keeping count anymore."