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" "I want to build vast machines of light and darkness, intricate mechanisms within mechanisms, a progression of gears and cogs and pistons each working to its own end as well as that of the Greater Device. That's what I see in my head. But, too often, I sense that many readers want nothing more complex or challenging than wind-up toys. It's dispiriting.
Caitlín Rebekah Kiernan (born 26 May 1964) is an Irish-born American author, paleontologist, and prolific blogger perhaps most famous for the novels The Drowning Girl: A Memoir and The Red Tree. Kiernan is a two-time recipient of both the World Fantasy and Bram Stoker awards.
Biography information from Wikiquote
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We are indeed living at the end of the Golden Age of Mankind, or at least the end of this particular human civilization. That almost everything we take for granted today may, only a couple of decades farther along, seem entirely remarkable, that our most mundane artefacts and toys will stand as incredible examples of luxury and excess. That all of this will pass away, and the "simplest" bits of our day-to-day lives will become miracles of a half-remembered past. A past which will be responsible for that future-present misery. It is difficult to force myself through the trivial routine of my days when these thoughts are front and center. It is difficult to see beyond the veil they draw up about me and difficult to push it all aside long enough to write my silly little stories.
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No matter what you may have heard elsewhere or however you may have romanticized the life of working writers, know this: it is, with very, very few exceptions, a brutal, ugly, and unrelentingly difficult existence. It is a grind, no matter how much you may love to write or feel driven to tell stories. Personal demons aside, you will encounter at almost every turn no shortage of idiots and shitheels upon whom you must depend to get your work to readers. Occasionally, there will be a fortunate aberration: a wonderful, brilliant editor, or a copyeditor who doesn't try to express herhimitself vicariously by attempting to rewrite your work, or an agent who busts hisherits ass for you. You may even be so fortunate as to encounter a publisher who cares more about herhisits authors than the bottom line. Those things do happen. But don't ever fucking count on it. If you come to this life, and if you "make it" and can actually eek out some sort of living writing, you will likely learn these things for yourselves. Plenty of people will tell you I'm full of shit on this account. And you are certainly free to listen to whomever you please. But after fourteen years as a full-time writer, during which time I have had great successes and profound failures, seen modest fortune and considerable poverty and everything in-between, been appreciated and reviled, awarded and ignored, helped and hindered — one thing remains true. It's a tough row to hoe, as my Grandfather Ramey would have said. And you do yourself and all working authors a disservice if you dare believe otherwise.