No matter what you may have heard elsewhere or however you may have romanticized the life of working writers, know this: it is, with very, very few exceptions, a brutal, ugly, and unrelentingly difficult existence. It is a grind, no matter how much you may love to write or feel driven to tell stories. Personal demons aside, you will encounter at almost every turn no shortage of idiots and shitheels upon whom you must depend to get your work to readers. Occasionally, there will be a fortunate aberration: a wonderful, brilliant editor, or a copyeditor who doesn't try to express herhimitself vicariously by attempting to rewrite your work, or an agent who busts hisherits ass for you. You may even be so fortunate as to encounter a publisher who cares more about herhisits authors than the bottom line. Those things do happen. But don't ever fucking count on it. If you come to this life, and if you "make it" and can actually eek out some sort of living writing, you will likely learn these things for yourselves. Plenty of people will tell you I'm full of shit on this account. And you are certainly free to listen to whomever you please. But after fourteen years as a full-time writer, during which time I have had great successes and profound failures, seen modest fortune and considerable poverty and everything in-between, been appreciated and reviled, awarded and ignored, helped and hindered — one thing remains true. It's a tough row to hoe, as my Grandfather Ramey would have said. And you do yourself and all working authors a disservice if you dare believe otherwise.
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The life of a writer is absolute hell compared to the life of a businessman. The writer has to force himself to work He has to make his own hours and if he doesn't go to his desk at all there is nobody to scold him...A person is a fool to become a writer. His only compensation is absolute freedom. He has no master except his own soul, and that, I am sure, is why he does it.
Writing is hard work. The fact that I love doing it doesn't make it less hard work. People who love tennis will sweat themselves to exhaustion playing it, and the love of the game doesn't stop the sweating. The casual assumption that writers are unemployed bums because they don't go to the office and don't have a boss is something every writer has to live with. I have never known a writer who hasn't suffered as a result of this, hasn't resented it, and hasn't dreamed of murdering the next person who says "Boy, you've sure got it made. You just sit there and toss off a story or something whenever you feel like it."
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The life of a writer is absolute hell compared with the life of a businessman. The writer has to force himself to work. He has to make his own hours and if he doesn’t go to his desk at all there is nobody to scold him. If he is a writer of fiction he lives in a world of fear. Each new day demands new ideas and he can never be sure whether he is going to come up with them or not. Two hours of writing fiction leaves this particular writer absolutely drained. For those two hours he has been miles away, he has been somewhere else, in a different place with totally different people, and the effort of swimming back into normal surroundings is very great. It is almost a shock. The writer walks out of his workroom in a daze… a person is a fool to become a writer. His only compensation is absolute freedom. He has no master except his own soul, and that, I am sure, is why he does it.
A writer must be hard to live with: when not working he is miserable, and when he is working he is obsessed. Or so it is with me. Thus my writing life consists of spells of languor alternating with fits and spasms of mad typing. At all times, though, I keep a journal, a record book, and most everything begins in the form of notes scribbled down on the pages of that journal.
I began to realize how simple life could be if one had a regular routine to follow with fixed hours and a fixed salary and very little original thinking to do. The life of a writer is absolute hell compared with the life of a businessman. The writer has to force himself to work. He has to make his own hours and if he doesn’t go to his desk at all there is nobody to scold him. If he is a writer of fiction he lives in a world of fear. Each new day demands new ideas and he can never be sure whether he is going to come up with them or not. Two hours of writing fiction leaves this particular writer absolutely drained. For those two hours he has been miles away, he has been somewhere else, in a different place with totally different people, and the effort of swimming back into normal surroundings is very great. It is almost a shock. The writer walks out of his workroom in a daze. He wants a drink. He needs it. It happens to be a fact that nearly every writer of fiction in the world drinks more whisky than is good for him. He does it to give himself faith, hope and courage. A person is a fool to become a writer. His only compensation is absolute freedom. He has no master except his own soul, and that, I am sure, is why he does it.
What profession is more trying than that of author? After you finish a piece of work it only seems good to you for a few weeks; or if it seems good at all you are convinced that it is the last you will be able to write; and if it seems bad you wonder whether everything you have done isn’t poor stuff really; and it is one kind of agony while you are writing, and another kind when you aren’t.
If you aren't willing to fight for your work, no one else will either. If you feel you have an important story to tell, you have to be willing to go to the wall for it. That said, no one is perfect or infallible. All writers, no matter how successful, have much to learn. The day we believe we have nothing more to learn is the day we start stagnating. It's important to find people who understand your universe and support your vision. It's important to keep honing your craft, keep growing with the changing times. It is as important to listen as it is to raise your voice.
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Writing for me, 95% of the time, it's torture, because I'm basically walking through the forest blindfolded trying to feel my way through and then I'm almost there, and I can sort of take it off and then see where I'm at, and then I have to go back and sort of move things around and make sure it's all feeling cohesive. But the process itself can feel really arduous and a real struggle to get through. I think everyone has their own process and mine is particularly torturous.
Writing isn’t fun. It’s the hardest work in the world. The very, very hardest. I mean creative writing. If it’s reportorial, it’s a different thing. When you have to create a whole milieu, with characters and background, that’s a different thing entirely. … Oh, you start out all enthusiastic. But after two or three chapters it becomes plain drudgery. I worked about ten hours the other night just on correcting and rewriting, because what you write originally is just a shadow of what you had in mind.
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