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" "You think...that my life is shameful because my encounters are. And they are. But you should ask yourself why they are.
Why are they — shameful?
Because there is no affection in them, and no joy. It’s like putting an electric plug in a dead socket. Touch, but no contact. All touch, but no contact and no light.
James Arthur Baldwin (2 August 1924 – 1 December 1987) was an American novelist, short story writer, playwright, essayist, and social critic.
Biography information from Wikiquote
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Only a man can see in the face of a woman the girl she was. It is a secret which can be revealed only to a particular man, and, then, only at his insistence. But men have no secrets, except from women, and never grow up in the way women do. It is very much harder, and it takes much longer, for a man to grow up, and he could never do it at all without women. This is a mystery which can terrify and immobilize a woman, and it is always the key to her deepest distress. She must watch and guide, but he must lead, and he will always appear to be giving far more of his real attention to his comrades than he is giving to her. But that noisy, outward openness of men with each other enables them to deal with the silence and secrecy of women, that silence and secrecy which contains the truth of a man, and releases it. I suppose that the root of the resentment — a resentment which hides a bottomless terror — has to do with the fact that a woman is tremendously controlled by what the man’s imagination makes of her — literally, hour by hour, day by day; so she becomes a woman. But a man exists in his own imagination, and can never be at the mercy of a woman’s. — Anyway, in this fucked up time and place, the whole thing becomes ridiculous when you realize that women are supposed to be more imaginative than men. This is an idea dreamed up by men, and it proves exactly the contrary. The truth is that dealing with the reality of men leaves a woman very little time, or need, for imagination. And you can get very fucked up, here, once you take seriously the notion that a man who is not afraid to trust his imagination (which is all that men have ever trusted) if effeminate. It says a lot about this country, because, of course, if all you want to do is make money, the very last thing you need is imagination. Or women, for that matter: or men.
"Nobody can stay in the garden of Eden," Jacques said. And then: "I wonder why."
...
Everyone, after all, goes the same dark road — and the road has a trick of being most dark, most treacherous, when it seems most bright — and it's true that nobody stays in the garden of Eden.
... Perhaps everybody has a garden of Eden, I don't know; but they have scarcely seen their garden before they see the flaming sword. Then, perhaps, life only offers the choice of remembering the garden or forgetting it. Either, or: it takes strength to remember, it takes another type of strength to forget, it takes a hero to do both. People who remember court madness through pain, the pain of the perpetually recurring death of their innocence; people who forget court another kind of madness, the madness of the denial of the pain and the hatred of innocence; and the world is mostly divided between madmen who remember and madmen who forget. Heroes are rare.