I always think twice before reading the biography of a writer I admire. Biographers sometimes latch onto small details, unreliable eyewitness account… - Patrick Modiano

But topographical details have a strange effect on me : instead of clarifying and sharpening images from past , they give me a harrowing sensation of emptiness and severed relationships.

Has a biographer the right to suppress certain details under the pretext that he considers them superfluous? Or do they all have their importance, and must he present them one after the other, impartially, so that not a single one is left out, as in the inventory of a distraint? Unless the line of life, once it has reached its term, purges itself of all its useless and decorative elements. In which case, all that remains is the essential: the blanks, the silences and the pauses.

We passed the Gardens and turned down Avenue de New York. There, under the embankment trees,I had the unpleasant sensation that I was dreaming.I had already lived my life and was just a ghost hovering in the tepid air of Saturday evening. Why try to renew ties which had been broken and look for paths that had been blocked off long ago? And the plump, moustachioed little man, walking beside me, hardly seemed real.