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In Calcutta, when the organizers saw me, they insisted that I first sing in a private sitting a night before my concert was scheduled. I couldn't und… - Gangubai Hangal
" "In Calcutta, when the organizers saw me, they insisted that I first sing in a private sitting a night before my concert was scheduled. I couldn't understand why they couldn't wait till the next day. Nisar Husain Khan Saheb took me aside and explained that the organizers had doubts about what I, a frail girl at that time, was capable of! I sang and was greatly appreciated. In fact, I was awarded a gold medal by the Maharaja of Tripura. At the same concert, I kept remembering my mother who was no more, and just then felt a hand on my shoulder. When I turned around, I saw K. L. Saigal, who said, 'bahut surila' (very melodious). I was happy but then very upset that a strange man should touch me!
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About Gangubai Hangal
Gangubai Hangal (March 5, 1913 – July 21, 2009) was an Indian singer of the khyal genre of Hindustani classical music, who was known for her deep and powerful voice. She performed all over India and for All India Radio stations until 1945. Hangal had initially performed light classical genres, including bhajan and thumri, but concentrated on khyal. Later, however, she refused to sing light classical, saying she sang only ragas. Hangal served as honorary music professor of the Karnatak University. She gave her last concert in March 2006 to mark her 75th career year. She received a number of awards, which include: Sangeet Natak Akademi Award in 1973 and Padma Vibhushan, the second highest civilian award in 2002.
Also Known As
Native Name:
ಗಂಗೂಬಾಯಿ ಹಾನಗಲ್
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Additional quotes by Gangubai Hangal
Guruji did not teach me more than four Ragas. He often drew an analogy between swaras and money and said that one must spend only as much as is required of both. My practice would follow this method. I was given a certain palta and would have to keep repeating it for days on end. It seemed boring and monotonous then, but later I thanked him for this rigorous training. The entire relationship with a guru was different in those days. Our respect for him was so great that there was no question of us asking him to teach us something particular, not because of our blind devotion, but because of our innate belief that he knew what was best for us. I remember getting caught by him invariably, whenever I tried something new. For instance, on radio, I sang Raga Bhinbhas, working it out on my own, quite confident that guruji would not hear me, as there was no electricity in Kundgol. But as luck would have it, he happened to be in Belgaum that evening. I was subsequently taken to task for using a komal dhaivat in Bibhas. This was followed by comprehensive training of the Raga. There are so many Ragas with which I associate a strange incident with guruji--Suha, Marwa … the list is endless.
It was a great experience. Unfortunately those days are over. Nowadays, you seldom see an artist listening to another artiste. Also, the sangeet jalsas, would go on for hours. I remember the tickets were priced at 50 paise for sitting on the ground and a rupee for a chair! All this may sound quaint today.
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