Indian tabla player, musical producer, film actor, and composer (1951–2024)
Zakir Hussain (Hindi: ज़ाकिर हुसैन, Urdu: ذاکِر حسین; 9 March 1951 – 15 December 2024) was an Indian musician, renowned in playing the tabla, an Indian percussion musical instrument. A child prodigy playing at the age of five he evolved to become the reigning king of tabla players. He was also musical producer, film actor and composer. He had rendered unforgettable solo as also many fusion music with other famous artists. He has 145 albums to his credit with Indian and western artists. He had also scored music for films and television serials. He was awarded the Padma Shri in 1988, and Padma Bhushan in 2002. He was also recipient of the Sangeet Natak Akademi Award in 1990. He also received the United States National Endowment for the Arts's National Heritage Fellowship award in 1999.
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I’ve never wanted to fit in Abbaji’s shoes and am happy to walk in my own. My father made it categorically clear even when my brothers or me performed with him. “I don’t expect my sons to be me because what I’m doing is already done. They’ve to be better than me,” he’d say. “Photocopies are eventually consigned to the dust bin and only originals preserved.
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Suddenly I am like the poster boy of music, but I think the whole idea is to realise how deep is the base of Indian art and culture, how many fabulous young artistes there are, how many incredible great senior artistes are present today but not seen in limelight. We all have our turn at being the spokesperson for something or the other," the renowned musician.
The plan is to always have a plug into my past, where I am from. And how deep that is and having that gave me confidence to be able to expand. I am confident that I have something (music) that is backing me and that is always there for me... so that I can explore more, learn and grow more as an artiste and as a musician.
As a child I remember accompanying Abbaji to private mehfils in the homes of the ‘beautiful people.’ While they wined and dined, musicians would wait in the kitchen and only come out when summoned. I personally remember bringing back large Tiffin carrier|tiffin carriers with left-over food as honorarium.
The social media is making conventional media obsolete. So its becoming necessary to hawk anything to keep going. I don’t blame the media. But where do you draw the line? Within the scheme of things, is it not possible to keep track of one’s responsibility and help nurture cultural legacy? How else will the coming generations know of our culture?
Every winter I am here sometimes for two or four months. These are my roots, this is where I feel I must come to grow and learn as an artist. I must always come back to the guru to learn and grow more as a musician. There is no question of going anywhere and forgetting where I came from because that would be like losing my identity.
When I began there was an expectation that I play like Abbaji, but over the years luckily for me music lovers got around to accepting me for what I play... Look at others like Ustad Bismillah Khan’s son who has lost his way in trying to play shehnai like his father. Copying his father is one thing but taking his music forward is quite another.
I firmly believe that the primary role of the tabla is saath-sangat. Which is why I enjoy being on stage with Shivji (Pt Shivkumar Sharma), Amjadbhai (Amjad Ali Khan) or Birju Maharaj. I look forward to these concerts. Unlike a solo concert where I am my own boss, here I have to strike a dialogue in the music-making process. This enriches and makes me a better musician and tabla player.
From being made to wait in the kitchen to becoming the cynosure of attention and interacting with the who’s who has been a big leap. Music is no longer something that ‘respectable people’ keep children away from. We’ve had corporate czars and barons like Arvind Parekh and Brijbhushan Kabra taking to music.
As far as Indian music is concerned I wouldn't call myself a torchbearer. It's the media that focuses on it, like at one time Pandit Ravi Shankar was the poster boy of Indian music. It did not matter that there were equally good sitar players in India that time. Everybody talked about him and not others like Pandit Nikhil Banerjee or Ustad Ali Anwar Khan