Zakir Hussain Quotes

I firmly believe that the primary role of the tabla is saath-sangat. Which is why I enjoy being on stage with Shivji (Pt Shivkumar Sharma), Amjadbhai (Amjad Ali Khan) or Birju Maharaj. I look forward to these concerts. Unlike a solo concert where I am my own boss, here I have to strike a dialogue in the music-making process. This enriches and makes me a better musician and tabla player.

Every winter I am here sometimes for two or four months. These are my roots, this is where I feel I must come to grow and learn as an artist. I must always come back to the guru to learn and grow more as a musician. There is no question of going anywhere and forgetting where I came from because that would be like losing my identity.

As a child I remember accompanying Abbaji to private mehfils in the homes of the ‘beautiful people.’ While they wined and dined, musicians would wait in the kitchen and only come out when summoned. I personally remember bringing back large Tiffin carrier|tiffin carriers with left-over food as honorarium.

Suddenly I am like the poster boy of music, but I think the whole idea is to realise how deep is the base of Indian art and culture, how many fabulous young artistes there are, how many incredible great senior artistes are present today but not seen in limelight. We all have our turn at being the spokesperson for something or the other," the renowned musician.

You open London Times and you find reviews of Western classical music concerts finding pride of place even if the concerts themselves have less than 200 people in a hall meant for 1,500. They do this because they want to highlight what they see as their socio-cultural legacy.

I usually do field work before I sit down to play with somebody; in other words I go listen to them play in a concert, listen to their music, tapes, whatever, so that when I sit down with them, I have a vague idea what their temperament is about and what kind of musical patterns they enjoy playing. Solo, I am the captain of the ship, and I decide what I will play and dictate the pace of the show.

That’s the reason I’m Zakir Hussain and not Zakir Hussain Allah Rakha Khan. And believe me there’s no pride when I say that.

The social media is making conventional media obsolete. So its becoming necessary to hawk anything to keep going. I don’t blame the media. But where do you draw the line? Within the scheme of things, is it not possible to keep track of one’s responsibility and help nurture cultural legacy? How else will the coming generations know of our culture?

I’d have to say that accompanying vocalists is tougher, especially if you are with artistes of the calibre of Pt Jasraj or Vidushi Kishori Amonkar. The first 45 minutes can be very involved, intense and slow. You have to concentrate and focus because when things are slow, each beat is magnified a thousand-fold. Even a small chisel at the end of beat stands out.

I remember I was once booed off the stage on day one of a festival at Nagpur within half an hour and the same audiences were eating off my hands the next within the first seven or eight minutes. Everyone has their bad day, if I didn’t I’d be God.

Similarly people talk about me now but they don't realise that there are equally good tabla players around. I wouldn't call myself a torchbearer or anything of that sort. I am just one of those who is able to articulate, may be slightly better than others.

The plan is to always have a plug into my past, where I am from. And how deep that is and having that gave me confidence to be able to expand. I am confident that I have something (music) that is backing me and that is always there for me... so that I can explore more, learn and grow more as an artiste and as a musician.

Every time you step out on to the stage, you learn something which helps you grow and be a better communicator. It’s not like you’re the master. You’re always a student.

There are incredible number of great Indian artists around like Aditya Kalyanpur, Subhankar Banerjee, Satyajit Talwakar, Amaan and Ayan, among women are Anuradha Pal and others. It is great that such musicians are around. But the media has not adopted to give them the push or put them in open. They deserve to be up there.

I think that commercialization in the long run will not affect the integrity of the music. In every venture, musical or otherwise, you will always have good and bad. The same applies here.