I’ve never wanted to fit in Abbaji’s shoes and am happy to walk in my own. My father made it categorically clear even when my brothers or me performe… - Zakir Hussain

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I’ve never wanted to fit in Abbaji’s shoes and am happy to walk in my own. My father made it categorically clear even when my brothers or me performed with him. “I don’t expect my sons to be me because what I’m doing is already done. They’ve to be better than me,” he’d say. “Photocopies are eventually consigned to the dust bin and only originals preserved.

English
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About Zakir Hussain

Zakir Hussain (Hindi: ज़ाकिर हुसैन, Urdu: ذاکِر حسین; 9 March 1951 – 15 December 2024) was an Indian musician, renowned in playing the tabla, an Indian percussion musical instrument. A child prodigy playing at the age of five he evolved to become the reigning king of tabla players. He was also musical producer, film actor and composer. He had rendered unforgettable solo as also many fusion music with other famous artists. He has 145 albums to his credit with Indian and western artists. He had also scored music for films and television serials. He was awarded the Padma Shri in 1988, and Padma Bhushan in 2002. He was also recipient of the Sangeet Natak Akademi Award in 1990. He also received the United States National Endowment for the Arts's National Heritage Fellowship award in 1999.

Also Known As

Native Name: ज़ाकिर हुसैन
Alternative Names: Zakir Hussain Allarakha Qureshi Zakir Allarakha Qureshi Zakir Hussain Qureshi Zakir Allaraka Qureshi Ustad Zakir Hussain
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I usually do field work before I sit down to play with somebody; in other words I go listen to them play in a concert, listen to their music, tapes, whatever, so that when I sit down with them, I have a vague idea what their temperament is about and what kind of musical patterns they enjoy playing. Solo, I am the captain of the ship, and I decide what I will play and dictate the pace of the show.

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You open London Times and you find reviews of Western classical music concerts finding pride of place even if the concerts themselves have less than 200 people in a hall meant for 1,500. They do this because they want to highlight what they see as their socio-cultural legacy.

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