Indian composer and musician
Allah-Rakha Rahman (born A. S. Dileep Kumar on January 6, 1967) is an Indian composer, singer-songwriter, music producer, musician, multi-instrumentalist and philanthropist. Rahman redefined the contemporary Indian music. His works are notable for integrating Eastern classical music with electronic music sounds, world music genres and traditional orchestral arrangements. Time has described him as the world's most prominent and prolific film composer. Rahman has won two Academy Awards, two Grammy Awards, a BAFTA Award, in addition to numerous Filmfare and other awards. His extensive body of work for film and the stage has earned him the nickname "the Mozart of Madras". In 2009, Time placed Rahman in its list of World's Most Influential People. The UK based World Music magazine Songlines named him one of 'Tomorrow's World Music Icons' in August 2011. Rahman has also been honoured with the Padma Bhushan, one of the highest Indian civilian award of the Government of India.
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The billboard outside the Broadway Theatre reads, A R RAHMAN'S BOMBAY DREAMS. That name may mean little to musical-theater devotees, but in the rest of the world it's golden. Like Gershwin or Lennon-McCartney, the name stands for melody, quality, energy, instant hummability — a sound both personal and universal, devouring many older forms and transforming them into something gorgeously new.
The trend in the north is more Punjabi folk and simple music. But, in the past, people like Naushad experimented with Hindustani classical music which I think has been completely forgotten. People don't experiment anymore and think that Hindustani classical music won't work. For me, coming from the south, it was just a little step to learn Punjabi music. The nuances are louder in Punjabi music. Songs like Mukkala muqqabla or Humma humma had more of the Tamil folk music in it.
The reason I love 'Slumdog' is because the music is all world cultures, all celebrating. In India, I know people feel other film scores [of mine] are closer to their hearts. But when you are doing a film, it's very important to make the film look like one full piece of artwork. I think scoring 'Slumdog' with every kind of music possible, from Chinese to hip-hop to M.I.A. . . . was really fresh ground for me.
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