Indian bansuri player
Hariprasad Chaurasia (born July 1, 1938) is a renowned Indian flute player whose repertoire is in Eastern Classical music. He is an innovator and a traditionalist. He is as credited for his musicianship as for his technical ability on the native instruments. He has been honoured with several awards of which the most prominent ones are the Padma Vibhushan, the second highest civilian award of India, and the distinction of Chevalier dans l'Ordre des Arts et des Lettres (Knight of the Order of Arts and Letters) of France. He also serves as the Artistic Director of the World Music Department at the Rotterdam Music Conservatory in the Netherlands.
From: Wikiquote (CC BY-SA 4.0)
In my past there is Krishna. In my dreams I dream of recreating a huge college of flutists, a veritable Vrindaban in which students will arrive to learn and study with satchels full of flutes, live in mud huts, eat at a common langar. A modern Vrindaban from which a thousand flutes will ring out each day. For what else is there? When my breath is gone and I can not play anymore what do I leave behind? Some dedicated students! When you leave nothing behind, you cry at the point of death, but I still dream, I dare to dream that through my students my flute will be left behind as the memory of Krishna.
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It’s very difficult to make them understand the importance of a Guruji. In India, it’s kind of more than gods and goddesses. We revere our Gurujis more than our parents, more than our family members, more than gods and goddesses. But they’ll never understand. Never understand who a Guru is. There are so many differences. But when I am teaching at Rotterdam in Netherlands (He heads the World Music Department at the Rotterdam Music Conservatory), I tell each and every student-“keep your shoe out, you have to sit down. If you want to learn Indian music, you have to treat me- not like your teacher, not like your Guru, you treat me as a friend and we share our willing.
Who can you blame, parents or their friends or the children? In India every parent wants their child to earn more money and fame than any of their peers, no one wants their child to be set on a cultural journey and do tremendous things like other artists or musicians or sportsman have done. They think the entertainment sector won’t earn them any job or money. I blame the parents. They should inspire their children to pursue their interest along with the regular studies. I feel really sorry about this.
Music has no differences. We played alongside each other; it was not in fusion but in unison. I have enjoyed playing with all the artists. I have collaborated with musicians from the west and fellow Indians, including Ravi Shankar, Allah Rakha (father of Zakir Hussain), George Harrison, Jean Pierre Ramphal, Jethro Tull, John McLaughlin, Jan Gabarek, Yehudi Menuhin and others. I composed for Bollywood. It made me affluent. It was Pandit Shiv Kumar Sharma who asked me one day if playing in Bollywood films was all I was going to do in my life. I was not growing as an artist. I needed more. What did I have to show in terms of personal creativity, or growth? He was right.
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A drop of water when you are thirsty gives such relief. The same drop in a fountain inspires you with its beauty. The same water in a dirty drain is repelling. And the same drop in the river makes you want to swim there and take a bath. And when the same water goes in the sea it thrills you with its power.
My father was a wrestler and though everyone liked music in the family, it was a taboo to even think of a musical career. I used to wrestle to keep him happy. When I was about nine years old, I started learning vocal music from Pandit Rajaram, secretly! At the age of fifteen, I heard the flute for the first time on Allahabad radio. It was as if I was being transported to heaven. The flautist was Pt. Bholanath and that was the major turning point in my life. Soon after, while I was still in my teens I got an offer to work as a staff artist on Cuttack radio in Odisha/ and I accepted. It was then that my father found out that I was a musician. It was a major shock for him.
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First of all I choose a raga that gives me musical satisfaction. When I choose that raga then I welcome and invite the raga. To do that I have to meditate on the raga to understand its structure. When I get the structure then I can enjoy playing it. When I play a few beautiful notes, the spirit of the raga feels happy and comes and blesses me. Then the real music comes.