Indian bansuri player
Hariprasad Chaurasia (born July 1, 1938) is a renowned Indian flute player whose repertoire is in Eastern Classical music. He is an innovator and a traditionalist. He is as credited for his musicianship as for his technical ability on the native instruments. He has been honoured with several awards of which the most prominent ones are the Padma Vibhushan, the second highest civilian award of India, and the distinction of Chevalier dans l'Ordre des Arts et des Lettres (Knight of the Order of Arts and Letters) of France. He also serves as the Artistic Director of the World Music Department at the Rotterdam Music Conservatory in the Netherlands.
From: Wikiquote (CC BY-SA 4.0)
It’s very difficult to make them understand the importance of a Guruji. In India, it’s kind of more than gods and goddesses. We revere our Gurujis more than our parents, more than our family members, more than gods and goddesses. But they’ll never understand. Never understand who a Guru is. There are so many differences. But when I am teaching at Rotterdam in Netherlands (He heads the World Music Department at the Rotterdam Music Conservatory), I tell each and every student-“keep your shoe out, you have to sit down. If you want to learn Indian music, you have to treat me- not like your teacher, not like your Guru, you treat me as a friend and we share our willing.
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Who can you blame, parents or their friends or the children? In India every parent wants their child to earn more money and fame than any of their peers, no one wants their child to be set on a cultural journey and do tremendous things like other artists or musicians or sportsman have done. They think the entertainment sector won’t earn them any job or money. I blame the parents. They should inspire their children to pursue their interest along with the regular studies. I feel really sorry about this.
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First of all I choose a raga that gives me musical satisfaction. When I choose that raga then I welcome and invite the raga. To do that I have to meditate on the raga to understand its structure. When I get the structure then I can enjoy playing it. When I play a few beautiful notes, the spirit of the raga feels happy and comes and blesses me. Then the real music comes.
I almost never go to temples. I don't find the time. I'm not religious in that sense. My religion is my music. Lord Krishna is my God. Whenever I want to pray, whenever I want to meditate and concentrate, I take my flute. I can feel God. The feeling is difficult to explain, but I feel lost when I'm in it.