Hariprasad Chaurasia Quotes

Eventually you cannot stop the sun from rising, the water from flowing, the moon from spreading its light and you cannot compromise the seven notes with anything else. Live your life, live the music.

When I play, it is not for the audience. I play for that superior Power in between the audience and me. There are different kinds of people in the audience, and it is difficult for me to satisfy everyone. I perform for "that Power." If He is satisfied and happy, I feel blessed.

Music is my love. And because it is my love, music has become my religion.

In my past there is Krishna. In my dreams I dream of recreating a huge college of flutists, a veritable Vrindaban in which students will arrive to learn and study with satchels full of flutes, live in mud huts, eat at a common langar. A modern Vrindaban from which a thousand flutes will ring out each day. For what else is there? When my breath is gone and I can not play anymore what do I leave behind? Some dedicated students! When you leave nothing behind, you cry at the point of death, but I still dream, I dare to dream that through my students my flute will be left behind as the memory of Krishna.

Flute is an instrument which gives you more power as you play. It's like the breathing exercises in yoga. I'm able to increase my lung power by playing more. But because of travelling I don't get time to practice

Why to bring revolution? They are also human beings. Why don’t we treat ourselves as human beings? I speak Hindi and you speak your native language, but we are all human beings. Why do you treat them as foreigners? They also want to adapt to our tradition- some are visiting temples, they become vegetarians, some have given up spoons and eat using their hands, they try to become Sadhus. Why do you want to treat them as foreigners, they are human beings! If we get influenced by their tradition, it’s okay. If they get influenced by our tradition, it’s okay. Younger generation who try to emulate them will eventually come back to their native tradition!

When I play music, that is my best yoga, the best meditation, the best prayer.

Music has no differences. We played alongside each other; it was not in fusion but in unison. I have enjoyed playing with all the artists. I have collaborated with musicians from the west and fellow Indians, including Ravi Shankar, Allah Rakha (father of Zakir Hussain), George Harrison, Jean Pierre Ramphal, Jethro Tull, John McLaughlin, Jan Gabarek, Yehudi Menuhin and others. I composed for Bollywood. It made me affluent. It was Pandit Shiv Kumar Sharma who asked me one day if playing in Bollywood films was all I was going to do in my life. I was not growing as an artist. I needed more. What did I have to show in terms of personal creativity, or growth? He was right.

First of all I choose a raga that gives me musical satisfaction. When I choose that raga then I welcome and invite the raga. To do that I have to meditate on the raga to understand its structure. When I get the structure then I can enjoy playing it. When I play a few beautiful notes, the spirit of the raga feels happy and comes and blesses me. Then the real music comes.