When I play, it is not for the audience. I play for that superior Power in between the audience and me. There are different kinds of people in the audience, and it is difficult for me to satisfy everyone. I perform for "that Power." If He is satisfied and happy, I feel blessed.

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I almost never go to temples. I don't find the time. I'm not religious in that sense. My religion is my music. Lord Krishna is my God. Whenever I want to pray, whenever I want to meditate and concentrate, I take my flute. I can feel God. The feeling is difficult to explain, but I feel lost when I'm in it.

Who can you blame, parents or their friends or the children? In India every parent wants their child to earn more money and fame than any of their peers, no one wants their child to be set on a cultural journey and do tremendous things like other artists or musicians or sportsman have done. They think the entertainment sector won’t earn them any job or money. I blame the parents. They should inspire their children to pursue their interest along with the regular studies. I feel really sorry about this.

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My father was a wrestler and though everyone liked music in the family, it was a taboo to even think of a musical career. I used to wrestle to keep him happy. When I was about nine years old, I started learning vocal music from Pandit Rajaram, secretly! At the age of fifteen, I heard the flute for the first time on Allahabad radio. It was as if I was being transported to heaven. The flautist was Pt. Bholanath and that was the major turning point in my life. Soon after, while I was still in my teens I got an offer to work as a staff artist on Cuttack radio in Odisha/ and I accepted. It was then that my father found out that I was a musician. It was a major shock for him.

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Music has no differences. We played alongside each other; it was not in fusion but in unison. I have enjoyed playing with all the artists. I have collaborated with musicians from the west and fellow Indians, including Ravi Shankar, Allah Rakha (father of Zakir Hussain), George Harrison, Jean Pierre Ramphal, Jethro Tull, John McLaughlin, Jan Gabarek, Yehudi Menuhin and others. I composed for Bollywood. It made me affluent. It was Pandit Shiv Kumar Sharma who asked me one day if playing in Bollywood films was all I was going to do in my life. I was not growing as an artist. I needed more. What did I have to show in terms of personal creativity, or growth? He was right.

Why to bring revolution? They are also human beings. Why don’t we treat ourselves as human beings? I speak Hindi and you speak your native language, but we are all human beings. Why do you treat them as foreigners? They also want to adapt to our tradition- some are visiting temples, they become vegetarians, some have given up spoons and eat using their hands, they try to become Sadhus. Why do you want to treat them as foreigners, they are human beings! If we get influenced by their tradition, it’s okay. If they get influenced by our tradition, it’s okay. Younger generation who try to emulate them will eventually come back to their native tradition!

It’s very difficult to make them understand the importance of a Guruji. In India, it’s kind of more than gods and goddesses. We revere our Gurujis more than our parents, more than our family members, more than gods and goddesses. But they’ll never understand. Never understand who a Guru is. There are so many differences. But when I am teaching at Rotterdam in Netherlands (He heads the World Music Department at the Rotterdam Music Conservatory), I tell each and every student-“keep your shoe out, you have to sit down. If you want to learn Indian music, you have to treat me- not like your teacher, not like your Guru, you treat me as a friend and we share our willing.

Listening to that performance changed my life. It changed the course of my musical career. I could listen to my heart's voice clearly because the music had helped me understand my mind's deepest desires. Today, I am happy and feel blessed that I followed the path dictated by my heart.