Similarly people talk about me now but they don't realise that there are equally good tabla players around. I wouldn't call myself a torchbearer or anything of that sort. I am just one of those who is able to articulate, may be slightly better than others.

For me, the roles are the secondary part of the whole process to me strangely. It's about who you're being directed by and who the other actors are. Whenever I read a script, I think, 'wow, that's a great story,' and invariably I want to play one of the other characters, and the process of working out how to play the character you're offered is to work out why you aren't playing the other characters in a way. Maybe that's why I play roles of various different sizes. The challenge is not necessarily always the lead role, but in this case [Blue Jasmine] it was all those things combined.

When I began there was an expectation that I play like Abbaji, but over the years luckily for me music lovers got around to accepting me for what I play... Look at others like Ustad Bismillah Khan’s son who has lost his way in trying to play shehnai like his father. Copying his father is one thing but taking his music forward is quite another.

In some films, you don’t just need to hog center stage. I mean, I’ve done a lot of ensemble work in my career. Strangely enough, my first big success was an ensemble again, Baahubali happened to be one. I’m very secure as an actor. I know my skill and the impact I have on screen. I’ll get five scenes. I will do it to such perfection that people will remember me.

In tribal culture every person has their place and one who speaks more clearly with spirits than others is not a better person or is not in a higher position but simply performs one of many functions for the people. You and I have friends who do this daily and they make nothing of it. The woman who builds the fire is as important as the woman who guides the soul.

For me, being an actor and being a reggae musician are two flowers blooming from the same root. I see it as my strongest asset in order to make the world a better place. Acting and being a musician is like being an instrument mixing dreams and reality.

It has been my most appreciated performance to date and though I have played myriad characters over the years, some how none was as complex or as passionate as Suadamini. The director later told me that the only reason he cast me was because I was a dancer and capable of delivering navarasas [nine forms].

Just as the good actor perform well whatever role the poet assigns, so too must the good man perform whatever Fortune assigns. For she, says Bion, just like a poet, sometimes assigns the leading role, sometimes that of the supporting role; sometimes that of a king, sometimes that of a beggar. Do not, therefore, being a supporting actor, desire the role of the lead.

The Historian of Shivaji at the end of a careful study of all the records about him in eight different languages, is bound to admit that Shivaji was not only the maker of the Maratha nation, but also the greatest constructive genius of medieval India . States fall, empires break up, dynasties become extinct, but the memory of a true “hero as King” like Shivaji remains an imperishable historical legacy for the entire human race. – The pillar of people’s hope. The center of a world’s desire, to animate the heart, to kindle the imagination, and to inspire the brain of succeeding ages to the highest endeavors.

There is a big part for me, as a woman, to play.

What is the use of sangita (music without bhakti).

"(Guru Mani Madhava Chakiar) began playing the dual role of Parvati and Shiva...sat on a wooden chair...I have never ever seen a Parvati so exquisitely beautiful. I have never seen a Shiva so handsome and so cunning. I sat there and wept as if I were alone in the presence of God. I then realized what theatre was all about — the falsehood of that old man made me arrive at a state where inhibitions and convictions, all became so fluid and beautiful. And this vision has remained with me always" - Dr. Vijaya Mehta (Executive Director, National Center for Performing Arts- Bombay, acclaimed Indian theatre personality) about her experience of watching 72 year old Guru's Abhinaya of Parvativiraha

Dance was really the art of the temple and that her temple theater was built with that purpose in mind. It has many features of the temple , and we have adopted as much as possible all the ideals enshrined in Natyashastra.

I am a musician's musician and am passionate about my sarangi. I shall continue my battle for the cause of the sarangi. I will be reborn to continue my sadhana until the battle is won.